Claude Lanzmann’s Shoah as Cinematic Craftsmanship

The 9½-hour Holocaust documentary “has come to serve as a solemn metaphor for remembrance, as well as for butt-numbing endurance. … But to talk of Shoah only in terms of moral compulsion or epic length is to miss the multitude of Lanzmann’s decisions, his shot-by-shot brilliance – from revelatory tracks and pans to dramatically self-contained long takes.”

Depicting Stutterers in the Movies

The King’s Speech notwithstanding, “filmmakers have advanced their own unhelpful theories of a stutter’s cause and consequence since their earliest opportunity, amounting mostly to cartoon depictions of slapstick ineptitude and a jumble of mistaken assumptions about the disorder: That its sufferers are lily-livered, or ‘girl shy,’ or nervously traumatized. Watch as we torture the son of a bitch!”

Texas Film Commission Refuses to Pay Promised Incentives (They’re Totally Insulted)

“[Robert] De Niro’s portrayal of the fictional Sen. John McLaughlin in Machete … has apparently made some folks in Austin upset. The Texas Film Commission says it will refuse to pay $1.75 million in state incentives to the movie’s producers citing a state law that allows the state to refuse to pay incentives for ‘content that portrays Texas or Texans in a negative fashion’.”