You Know Who’s Responsible For That ‘Any Similarity To Actual Persons Is Coincidental’ Disclaimer In Movie Credits? Rasputin, That’s Who

“Virtually every film in modern memory ends with some variation of the same disclaimer: ‘This is a work of fiction. Any similarity to actual persons, living or dead, or actual events, is purely coincidental.’ The cut-and-paste legal rider must be the most boring thing in every movie that features it. Who knew its origins were so lurid?” Duncan Fyfe explains.

America’s Newsrooms Don’t Reflect Diversity Of The Country. Here’s Why It Increasingly Matters

“If the minority population is growing steadily, then common sense would say news organizations should be doing everything they can to attract minority audiences and better explain the complex issues America faces. But in a 2014 study by the American Press Institute and the Associated Press-NORC Center for Public Affairs Research, only 25 percent of African-Americans and 33 percent of Hispanics said they felt the media accurately reflected their community.”

Is This The Year That Movies Stopped Mattering In Pop Culture?

“Nowadays there’s likely something way more exciting than the latest alleged blockbuster waiting for you on your phone, whether it’s a Frank Ocean record, a cornered Charmeleon, or some dank memes. And with social media providing us real-time updates of our passions and consumption, it’s become clear that, in 2016, people are less passionate about films than ever before.”

Why Bollywood Is The Heart Of A Nation

“There is something about a big, popular art form that dramatizes a society’s deepest tensions that I find desperately moving. In the West, this is the kind of heavy lifting that was once the preserve of the novel — think of Dickens and Balzac. But in India, Bollywood alone deals with our society’s inner tension, its fault lines and frictions.”