Toronto International Film Festival Starts Demand-Based Ticket-Pricing And Some Fans Object

“I just felt like no movie is worth $58. It’s already a stretch at $49,” said Jaimie Marshall, a Whitby, Ont. paralegal. She made the same decision to sit out American Pastoral, as well as the animated comedy Sing, to which she had hoped to take her 12-year-old daughter. Though she has been a TIFF member for five or six years, paying $450 for the privilege of early access to some TIFF tickets, she said “this has seriously made me question whether I will continue.”

Everyone’s Talking About Virtual Reality. So When Will It Really Be A Mainstream Thing?

“With VR, it feels like early days. It’s powerful, but it still requires standardization. Everyone needs to commit to a format. And there has to be one or two killer pieces of content that people who don’t yet own a device will be so interested in that they feel compelled to get one in order to get engaged. We haven’t seen that yet.”

‘The Simpsons’ – The Best TV Show Ever? Definitely, Say Matt Zoller Seitz And Alan Sepinwall

The Simpsons is so ambitious, intimate, classical, experimental, hip, corny, and altogether free in its conviction that the imagination should go where it wants, that to even begin to explain all the things The Simpsons is, and all the things it does, you would need an immense Venn diagram drawn on a football field, each circle representing different modes of comedy.”

Yeah, Critics Hate Kevin Smith Movies – So What? He’s Made Himself Critic-Proof

“After horrible failures such as Jersey Girl and Cop Out, Smith retreated from Hollywood – not only because he had to, but because he could. His loyal fans, willing to follow him anywhere he commands, fund his work. … What Smith knew … was that the film is less important than the intellectual property and the fanbase that will gladly hand over their money for the right to own a piece of it.”