The studio literally reinvented the genre with Toy Story, the first computer-generated 3-D-animated feature film. Each subsequent Pixar release offered new feats of technical wizardry, from engineering the delicate trajectories of millions of individual strands of fur in 2001’s Monsters, Inc. to capturing the wondrous interplay between light and water in 2003’s Finding Nemo. Even as others gradually caught up with Pixar’s visual artistry, the studio continued to tell stories of unparalleled depth and sophistication. Pixar’s signature achievement was to perfect a kind of crossover animated cinema that appealed equally to kids and adults.
Category: media
Should Digital Canadian Content Be Exempt From Data Charges In Canada?
Canada is updating its rules on promoting Canadian content. One idea? Make data streaming of Canadian shows free. A problem? It would subvert notions of net neutrality…
Cannes Film Festival Changes Competition Rules (And They’re Looking At You, Netflix)
“Facing pressure from French theater owners upset that Netflix films would go straight to streaming, the Cannes Film Festival said Wednesday that it would change its rules to require all future competition films to commit to distribution in French movie theaters.”
How Americans Prefer Watching TV (Hint: It’s Still Big Screens)
Most major platforms (Twitter, YouTube, Facebook, etc) have been inking original content deals with TV shows, but so far; none have officially rolled out a TV video experience as unique to mobile as Snapchat, which includes vertical viewing, fast-paced production cues and tap-to-swipe navigation through scenes.
Israel’s State Broadcaster Shut Down By Netanyahu Gov’t – With One Hour’s Notice
The end of the Israel Broadcasting Authority was not a total surprise: the plan, several years in the making and legislating, was to smoothly hand over the IBA’s radio and television stations next Monday (May 15) to the newly-created Israel Broadcasting Corporation (officially named Kan in Hebrew). But a decision was made – nobody’s saying by whom – late Tuesday to close the IBA immediately. Staffers on the country’s flagship TV news broadcast had to go on the air and announce that the show was cancelled and they had lost their jobs.
Why We’re Now In A “Post-Star” Movie World
“We are in the middle of a major transition. One of the great allures of stars, the reason for their success, is their mystery. One person among millions gets to make their dreams come true. You are fascinated by them, yet oddly envious. That is why people throng outside Salman Khan’s house. They want to be him. Or rather, they want the possibility of that dream. They want to win that lottery. But with the advent of social media, winning that lottery has suddenly become so much more accessible! Today, anyone can be a star, truly. You can be an Instagram star, a Twitter star, a Youtube star, a Pinterest star, whatever! Put in enough work, be smart about it, and, in today’s world, you could easily be a star. So why put in so much time and energy into adulating someone else?”
BBC To Produce First Period Drama With All Non-White Cast
“A Suitable Boy, Vikram Seth’s sprawling novel set in post-colonial India, … will be adapted into a lavish eight-part series with a script from Andrew Davies, the screenwriter whose hits include the famous 1995 version of Pride and Prejudice starring Colin Firth and last year’s adaptation of War and Peace.”
So What Exactly Is Public Media In The Age Of The Podcast?
Public media is service. This is complicated, because the obvious next question is: Who is served? And that raises the really hard questions: What is the role of public media today? Is public media today serving the needs of communities outside of its audiences? What do people need and want from a public media in the United States?
The Party In Power In The United States Determines – Sort Of, And A Little Behind – What Kinds Of Monsters We See In Movies
Basically? “When a Republican is in power we get zombies and when a Democrat is in power we get vampires. Each monster represents the fears of the opposition power.”
Will MTV’s Non-Gender-Segregated Award Start An Avalanche?
Or is it a one-time thing? “Where will all this lead? I don’t even want to predict. Maybe nowhere. Maybe somewhere. … Wherever it leads (or doesn’t), I have to give the MTV Movie & TV Awards credit for having the audacity to shake up the cultural DNA, to show us what a new kind of post-gender consciousness feels like.”
