Actor Who Voices Apu On ‘The Simpsons’ Offers To Step Aside

Appearing on The Late Show With Stephen Colbert, Hank Azaria said, “I think the most important thing is to listen to Indian people and their experience with it. Listening to voices means inclusion in the writers room. I really want to see Indian, south Asian writers in the writers room, genuinely informing whichever direction this character takes. … I’m perfectly willing to step aside. It just feels like the right thing to do to me.”

‘S-Town’, ’60 Minutes’, Al Jazeera Win Peabody Awards

“Six news awards were bestowed, with BBC News winning for its reporting on Rohingya refugees in Myanmar and Bangladesh. Among the winners was a Vice News episode on HBO, ‘Charlottesville: Race and Terror.’ Al Jazeera won the sole public service award, for a documentary by Fatma Naib about female genital mutilation in Africa. S-Town, created by the makers of Serial and This American Life, was one of five radio or podcast winners.”

Peabody Awards For Entertainment Go To ‘Handmaid’s Tale’, ‘Last Week Tonight With John Oliver’, ‘Saturday Night Live’

“Netflix leads with three honorees – A Series of Unfortunate Events starring Neil Patrick Harris, which won for children and youth programming; mockumentary American Vandal about a high school prank; and stand-up special Hasan Minhaj: Homecoming King, which touches on the comedian’s struggles as an immigrant. HBO follows with two wins for Issa Rae’s Insecure and late-night show Last Week Tonight with John Oliver. Rounding out the list of winners are AMC’s Better Call Saul, NBC’s Saturday Night Live, Hulu’s The Handmaid’s Tale, and Amazon’s The Marvelous Mrs. Maisel.”

This Isn’t The First Time We’ve Had A Fake News Crisis. Here’s How We Fixed It Last Time

Even though the technologies are new, the horror and despair of the current informational carnage are not unprecedented. Since the beginning of the Internet, the unintended consequences of its arrival have been routinely compared to the fallout from the invention of the printing press. The comparison has always been problematic. A more precise historical analogy—though itself as incomplete as any historical analogy—can be found in the pamphlet culture of the sixteenth and seventeenth centuries in England.

Hollywood Studios, Amazon, Netflix, Sue Streaming Service For Piracy

Amazon, Netflix and multiple Hollywood studios (including Disney, Fox, Sony, Universal and Warner Bros.) have sued SET Broadcast over allegations its SET TV service is used expressly for piracy. While there is a dedicated set-top box, the centerpiece is a $20 per month subscription service that offers access to over 500 live TV channels and “thousands” of on-demand shows, including Netflix shows and movies that are still officially limited to theaters.

Why Is Marvel Ending The Most Lucrative Movie Franchise In History?

With the Avengers movies, “the studio has breathed lucrative new life into its decades-old comic-book properties, and built a ravenous fan base for each new character it introduces at the multiplex. Now Marvel says it wants to clear the table it has spent the last 10 years arranging and make way for something new. … Audiences are about to find out what finality looks like for a motion-picture money-minting machine: Will the story actually come to a conclusion? Will characters die, and will actors leave the series?”

Canada’s Local News Problem – A Role For Public Broadcasting?

I believe the CBC should make a big push to fill the yawning gaps in local news and cultural production created by the decline of private sector providers. I think it should do so even though it will harm some of its competitors because doing nothing won’t save them. Local news is too important to the functioning of our local democracy and our local communities.

Why Does A Silo Play Such A Significant Role In The Accidental Blockbuster ‘The Quiet Place’?

The writers are from Iowa, of course. One of them says: “We just knew inherently those were dangerous. They were always things that farmers and parents said to stay away from, because you can easily drown in those. Combining that within the world and the context of what ‘A Quiet Place’ was, felt like a natural fit — but obviously, a very, very terrifying fit.”

In The Netflix Vs. Cannes Skirmish, Everybody Lost

The Guardian says: “In this brittle standoff, fault lies on both sides. The French anti-streaming measures may be draconian, but resistance to Netflix’s anti-cinema model is quite understandable. … Quite aside from diminished screen size and visual impact, what films gain in universal accessibility, they lose in promotion, public awareness and even prestige, slotted as they are into a vast, fast-moving content menu between Adam Sandler originals and new episodes of Queer Eye.”