In Hollywood And Looking To Connect With A Young Multicultural Audience? Talk To This Guy

The Cashmere Agency’s business has exploded in recent years, just as the U.S. demographics change permanently. “In the past, Hollywood’s marketing efforts were mostly aimed at white audiences. But as the industry shifts to capitalize on an increasingly diverse nation, marketing tactics have also had to change. These efforts require more nuance and cultural sensitivity to successfully engage young people of color, women and LGBTQ communities.”

One Comedian Says She Has No Time For The Men Disgraced By The MeToo Movement

Tig Notaro got famous partly because of Louis CK, but she’s glad he’s out of her life and her now canceled Amazon show, “One Mississippi.” She says of all the rumors of the return of various men accused of harassment and attacks, “The attention and support for the victims needs to be continued, more than people worried about these abusers and what’s next for them, how are they going to move on — shut up.”

From A Soundproof Garage In California, Round-The-Clock Afghan Variety Shows

Haroon Ebrat is both the impresario and the star of Afghan Theatre TV, which streams online in Dari (the Afghan variant of Persian) to a million viewers each month. The program mixes music videos with call-in shows and televised sketches, created and performed by Ebrat and his adult children, that have attracted more than a little controversy in the Afghan diaspora – despite the fact that the channel largely stays clear of politics.

How Queer Are The Movies In The Current LGBT Cinema Boom?

Not queer enough, argues E. Alex Jung: “There have been Oscar-validated prestige pictures (Milk, The Kids Are All Right, The Dallas Buyers Club, Call Me by Your Name), and corresponding flops (Stonewall, Freeheld), indie films (Princess Cyd, Tangerine), and commercial middlebrow ones (Love, Simon). While these films vary in intent, provenance, and quality, they encapsulate a similar catholic spirit: rather than assert difference, they point out similarities. They apply salve instead of salt. They’re safe, often boring, and sentimental, following familiar emotional arcs to tell a ‘universal story.’ In short, we’re in a movie moment defined by the political sensibility of the gay-marriage movement.”

The Rise Of TV Has Disrupted How We Think About The World

“To what moment does the rise of television respond? And what is the significance of this medium? Above all, new television responds to an omnipresent loss of normative authority, of a robust failure of humans to feel at home in their world: to trust their governments, their leaders, their role models, their traditions and, ultimately, even their senses. New television confronts this state of affairs artistically and politically, presenting – like film – some order to such a world, but over weeks and months and years.”

Eight Years After Its Finale, ‘Lost’ Is Developing A Cult Following

“It’s bubbling up all over the place. New blogs and podcasts and Reddit discussions concerning themselves with various aspects of Lost have started to appear without warning. Gamers, too, seem to have suddenly rediscovered the series. This week alone, for instance, a Fortnite user found a hatch in the woods, prompting speculation of a Lost crossover, and a Far Cry 5 user recreated the Lost island in its entirety using the game’s map editor. Meanwhile, in entertainment, you can feel Lost‘s influence everywhere.”

Technology As Conceptual Art

It might seem counterintuitive to think so, but the popular dissemination of technology is necessary for the electronic image to function as conceptual art. This isn’t necessarily true with any other medium and has much to do with the value that we as postmodern consumers of images and memes place on a removed and ironic perspective. For example, conceptual video art didn’t reach its proper golden age until the 1960s, with the advent of relatively cheap portable recording equipment.

Spotify Aims At “Music Obsessives” As It Experiments With Formats

The content partnership highlights two interesting details about Spotify’s plans for future growth. First, it’s an indicator that Spotify’s audiobook content goals are aimed at superfans of the music streaming service: 33 1/3 is a series written by and for music obsessives, offering up installments about obscure classics alongside more well-known names like David Bowie, Nirvana, or Radiohead.