‘This Is Heroic Criticism, Warrior Criticism, Live-Ammo Criticism’ — Six Film Writers Give Their Takes On Pauline Kael

David Thomson: “The shrewdest thing to say about Pauline Kael – beyond recognising that she was essential – is that she was kind of crazy. Yet determined to seem rational or in control.”
Kate Muir: “Her language is spankingly crisp and her reactions that of a ticket-buying human, not someone sweating ink as they try to impress.” – The Guardian

How Disney Has Been Redirecting The Fairy-Tale Notions Of Love It Did So Much To Spread

“The happy ending of our most-watched childhood stories is no longer a kiss. Today, Disney films end with two siblings reconciled despite their differences, as in Frozen (2013); or a mother and a daughter making amends, as in Brave (2012) and Inside Out (2015); or a child reunited with long-lost parents, as in Tangled (2010), Finding Dory (2016) and Coco (2011). Love remains the all-important linchpin of these stories … but over the past 10 years, we have been told to love a new kind of love.” – Aeon

Remember ‘Dr. Strangelove’ And ‘The Day After’? Why Don’t They Make Movies Or TV About Nuclear War Anymore?

After all, the Bulletin of the Atomic Scientists’ Doomsday Clock is still set at two minutes to midnight, most of the Cold War-era nukes (or their replacements) are still here, and the world isn’t exactly seeming stable these days. Stephen Phelan looks at Hollywood’s portrayals of nuclear apocalypse, both older and more recent. – Boston Review

There’s One Corner Of Hollywood Where Women Are Making Real Progress: Animation

“Women hold half of the leadership positions at the major film animation companies, new research has found. And, of the top 120 animated films over the last dozen years, nearly four in 10 had female producers, which is more than double the number of women who produced live-action films in that time.” (Things don’t look as good for nonwhite women, though.) – The New York Times

How Sacha Baron Cohen Tricked Dick Cheney Into Signing A Waterboarding Kit On-Camera

On pretending to be a bogus Israeli anti-terrorism expert for his film Who Is America?: “The character creation is a reverse character creation. You have to think, Okay, we got Dick Cheney, he’s agreed to do this. How am I going to convince one of the most cynical, suspicious, brilliant minds that I’m real? How am I going to get him to say things he’s ultimately going to regret? That becomes the process of fully learning your character and making sure there are no holes in your character.” – Vulture

One-Dimensional Diversity Isn’t Actually Very Equitable At All

“Over the history of our big and small screens, audiences have been treated to thousands of variations of whiteness. White people have stood in as the face of humanity’s fullness and complexity. We’ve watched white people traverse the boundaries of class, history, sexuality, gender, disease, fame and technology.” Now it’s time for everyone else to get that fullness, complexity, and – The New York Times