In Hollywood, An Agency Threatened To ‘Blow Up The Deal’ For ‘The Good Doctor’

Writers and agencies are locked in a battle over who should reap the benefits from packaging fees – “the longstanding industry practice of talent agencies taking fees for putting together a lineup of their clients — actors, writers and directors — for a show, rather than receiving the customary 10% commission on each client’s fee.” And for the show The Good Doctor, talent agency William Morris Endeavor “threatened to blow up the deal” unless a packaging fee was included. – Los Angeles Times

Sixty-Six Questions About That ‘CATS’ Trailer

Some samples: “2. So clearly this is a town for cats, created by cats—hence the Milk Bar. But what kind of milk are they drinking? 3. Cow milk? Do cows exist in this world? How would cats, which weigh eight to 10 pounds on average, be able to domesticate cows, which weigh—[Googles]—roughly 1,600 pounds? Or … uh … are they drinking cat milk?” – The Ringer

Netflix And SAG-AFTRA Sign A New Deal

The deal, which includes harassment protection and a ban on private, in-room auditions, also “recognizes performance capture as covered work and includes coverage of dubbing, which applies to all of Netflix’s foreign-language live-action and animated motion pictures dubbed into English.” – Variety

‘Russian Ark’ Director Closes His Film Foundation, Citing Hostility From Putin’s Government

Alexander Sokurov (Russian Ark, Faust, Father and Son, Mother and Son) set up the Primer Intonatsii (Example of Intonation) foundation in 2013 to aid young Russian filmmakers. But the organization has had trouble getting and maintaining funding and suffered what Sokurov called “unfriendliness and aggressiveness,” including an embezzlement investigation, from Russia’s Ministry of Culture. (Yes, Sokurov is a critic of Vladimir Putin.) – The Hollywood Reporter

Why Everyone Is Scared Of The Disney Juggernaut Devouring Hollywood (And Why They Shouldn’t Be)

“It’s not just, or maybe even primarily, the size of the company that is giving people the shakes. It’s the fact that a single film corporation now seems to own everything worth having — at least, in stark capitalistic blockbuster terms. … Viewed according to the logic of 21st-century fantasy culture, Disney doesn’t just suddenly own all the properties. It owns all the mythologies.” Yet, argues Owen Gleiberman, “in the concern over the new company’s monolithic import, a couple of key issues have been lost.” – Variety