India’s Hottest Movie Ever Breaks Box Office Records

“Sivaji – The Boss” has been hugely anticipated. “The film took 19 months to be completed and is said to be the most expensive movie ever produced in India. Huge banners and hoardings were erected in front of cinema halls where Sivaji was released. Fans performed ablution by milk on Rajni’s cut-outs and broke coconuts to ward off evil forces. The movie has been released in 17 theatres in Chennai and in over 500 cinema houses all over the state. Tickets for the movie have been sold out for the next three weeks.”

Keeping The Baby

“Abortion is one of the last taboos in mainstream American film — a no-flyover zone of many years’ standing. No matter how realistically presented, it’s just not something that’s done if you want to keep the sympathy (and ticket sales) of multiplex audiences. That said, each moviegoing generation confronts and/or backs away from the subject in its own fashion, and three current releases have opted to carry to term, whether it makes dramatic sense or not.”

The Rise Of The Older Woman

There was a time (like, five years ago) when an actress over the age of 40 had a better chance of being asked to host the Oscars than of landing a starring role in a TV series. But all of a sudden, TV has been embracing middle-aged and older characters, and that has led to a new rush of opportunity for actresses.

When Is A Radio Station Not Just A Commodity?

Three years after Minnesota’s St. Olaf College, operator of the oldest listener-supported radio station in the US, sold its classical broadcast operation to public radio behemoth Minnesota Public Radio (which promptly converted it to a pop music format,) the school is still feeling the wrath of longtime supporters who claim that the sale was illegal. Now, a lawsuit has been filed, and a judge may rule that WCAL-FM (now KCMP) was a charitable trust that the college had no right to sell without consulting its trustees.

Producers Get More Oscar Slots

The Academy of Motion Picture Arts and Sciences will now allow more than three producers to be eligible for an Oscar movie credit. “The agreement to consider exceptions to the three-producer rule, though a small change, was welcomed by some of those who had been slighted by the old limitation, which at this year’s Oscar ceremony excluded two producers, Albert Berger and Ron Yerxa, from awards consideration for the best-picture nominee ‘Little Miss Sunshine’.”