Cronenberg Takes Top TIFF Prize

Eastern Promises, a London-set thriller by director David Cronenberg, won the Cadillac People’s Choice Award at the Toronto International Film Festival, which closed on Saturday after screening 349 films over 10 days. The award came with a $15,000 prize. The top Canadian award went to Guy Maddin’s My Winnipeg.”

Building Up Burns

Ken Burns’s new documentary on World War II begins airing on public television next weekend, and if you haven’t heard about it, you’re probably alone. “The War” is being rolled out with a promotional campaign unlike any PBS has ever mounted before, and for good reason. “The world of broadcasting has changed enormously over the last 17 years. So has the world of documentaries.” What hasn’t changed is the trademark Burns style, and PBS is counting on the combination of quality and familiarity to deliver a ratings bonanza.

Women Filmmakers Thrive – Just Not In Hollywood

“Hollywood is male-driven and the women directors who made it on to the list of the 250 top-grossing American films in 2006 comprise only 7 per cent of the total number of directors, according to an annual survey conducted at San Diego State University. The number was the same in 2005. Women screenwriters made up 10 per cent of the total – but that number is going down. In 1998, it was 13 per cent. The Toronto International Film Festival, and by implication the international film world, presents a different picture. This year’s tally of 52 women directors on the list of 332 new films amounts to more than 15 per cent.”

The Two Faces Of TIFF

“In its 32d year, the Toronto International Film Festival is a binary experience… Toronto is now the official starting gun of Oscar season; what used to be an evenly spread 10-day smorgasbord of cinematic riches (for the most part) is now front-loaded with studio premieres and red carpet photo ops. By contrast, the back leg of the festival has become a parade of unheralded world-cinema pleasures and unfilled theaters.”

Toronto Film Fest Divides Critics

“Any description of the 2007 Toronto International Film Festival undoubtedly will depend on which part of the festival got sampled. Even looking at the reviews of some high-profile pictures, a reader can only conclude that the festival played a dirty trick on poor critics by screening entirely different films with exactly the same titles.”

Who Needs The Networks?

“The award-winning producers of TV shows Thirtysomething and My So-Called Life are taking their latest project online, citing ‘frustration’ at US TV networks.” The show, which was rejected by ABC, will debut later this fall on MySpace, where producers believe it will find a wide audience.