As UAE Tries To Become Cultural Hub, Concerns About (Self-)Censorship

“The U.A.E. aspires to be an art and cultural center. While the federation of Gulf sheikdoms is relatively open and tolerant, its ruling establishments are concerned about the political turmoil in other Arab countries and are also wary of art containing graphic images or anything else that might offend conservative Gulf sensibilities.”

The Battle Over Encouraging Audiences To Tweet In Their Seats

“The controversy raises a number of questions that are hard to answer: Is sustained focus even possible in mass audiences anymore? If not, what have we lost? But part of the discussion, taken on its own terms, boils down to a fairly tractable psychological question: Who, really, is more engaged? Is it the audience member holding a screen and responding to the action with his thumbs, or the one sitting silently in the dark with her eyes glued to the stage?”

Should Bigots Get Equal Time On Stage?

“When Ovalhouse’s director Deborah Bestwick chose to programme Boy in a Dress last year, she undoubtedly did so believing that David Walliams’ gender-bending play had the potential to increase acceptance of those for whom sexual identity is anything but straightforward. She was right, of course, but would Bestwick have backed a piece that suggested cross-dressing equated to having a mental health problem? Probably not.”

Extra Funding For Developing Artists In Australia

“Arts Minister Simon Crean will announce funds of $20.8 million (a 30 per cent increase) to six elite training organisations today, including the national youth orchestra and circus school. Every federal MP will get $23,500 to help support ‘creative young stars’ in their electorates. The federal government will also boost six arts companies in NSW, Victoria and Western Australia where those states have agreed to extra funding for touring and education programs.”