“To better understand how to get by as an emerging artist, Artsy spoke to 11 of them from New York, Los Angeles, and Berlin about their overhead costs, the tradeoffs they make, and the financial strategies they employ to stay afloat at the pivotal early stage of their careers.”
Category: issues
Houston Arts Update: Assessing Harvey’s Arts Damages
The flood water compromised museum archives, caused structural damage and knocked out electricity and the Internet. How extensive was the damage? We talked with representatives and gathered information from some of major Houston’s arts centers to find out.
The Art Of Social Practice (Or Is It The Social Practice Of Art?)
“Social practice art is seen as the antithesis of the art market because it cannot be owned, preserved, or exhibited easily. Located somewhere between activism and performance, the tangible and the ephemeral, social practice is linked to relational aesthetics and other community-based work since it’s often action oriented and site specific, requiring some sort of audience engagement.”
Island In The Seine: A New Performance Space That Aims To Mix Things Up
It was the architect Jean Nouvel of France who conceived of a plan for the island in the suburb of Boulogne-Billancourt that would allow a natural flow between indoor and outdoor space. Then Shigeru Ban, the Pritzker-Prize winning Japanese architect, teamed up with the architect Jean de Gastines of France to create the project that cost 170 million euros (about $203 million).
Is Japanese Culture Traumatized By Centuries Of Natural Disaster?
“As bad as they were, the 2011 earthquake and tsunami were just the latest chapter in a long, tragic narrative. The Japanese archipelago sits at the nexus of four tectonic plates, subjecting the region to more than 1,500 seismic events each year, including at least two 5.0 magnitude or higher earthquakes. As a result, Tokyo has been destroyed and rebuilt on average, from 1608 to 1945, once every five years. … The effects of centuries of natural disaster may be most obvious, though, in Japanese culture.”
Why Doesn’t More Arts Philanthropy Go To Rural Areas?
“Many large grant entities, both foundations and government agencies, seem to prefer to fund urban areas for clear reasons. Many urban areas have significant needs and funding in urban areas can have a positive impact on more people. Funders, quite understandably, want the most bang for their buck, and more people live in urban areas. It all makes for a reasonable piece of conventional wisdom, but is it accurate? Does an urban-centric strategy truly generate the most bang for the buck?”
NYC’s Big Cultural Institutions Still Depend On Telemarketing
With the advent of do-not-call lists and cell phones, concentrated marketing by telephone may seem like a thing of the past. But the likes of Carnegie Hall, the Metropolitan Opera, New York City Ballet, and the Brooklyn Academy of Music continue to do it, and they say that it still pays off. Michael Cooper and Sophie Haigney look at the numbers and talk to some of the workers who’ve made the phone calls.
Ontario Gov’t Directs $50 Million In Extra Funding To Arts
“In a statement issued by the Office of the Premier, the Ontario Arts Council (OAC) will be issued $50 million in additional funding over the next four years. This is in addition to the existing governmental amount, bringing the total to $80 million per year by 2020-21.”
Why Do You Have To Get Your Hate On For Those Standing Ovations?
“Of course, no one has to stand, but I’d rather have a clear default setting. The split-second call of whether to stand or sit can designate you a groupie or a grinch, turning each spectator into a customer taking a satisfaction survey, a Roman emperor delivering the gladiator a thumbs-up or thumbs-down. By eliminating the choice and going with the flow, you leave more room for contemplating the play (or where you’re going to get dinner afterward). And if the choice falls between withholding gratitude or giving it, why not err on the side of generosity without feeling shamed?”
Tech Giants Recruit “Brand Name” Teachers
“Their ranks are growing as public schools increasingly adopt all manner of laptops, tablets, math teaching sites, quiz apps and parent-teacher messaging apps. The corporate courtship of these teachers brings with it profound new conflict-of-interest issues for the nation’s public schools.”
