Amateurs believe that the world should work the way they want it to. Professionals realize that they have to work with the world as they find it. Amateurs are scared — scared to be vulnerable and honest with themselves. Professionals feel like they are capable of handling almost anything.
Category: issues
Artists’ Break With This White House
In the face of concerns like North Korea and neo-Nazis, Mr Trump’s rift with the art world seems insignificant. But it is another indicator of the tenor of his presidency and how drastically it breaks with previous administrations of both parties. Indeed, artists have usually attended White House receptions even when they disagreed with the sitting president. Bill Clinton honoured Charlton Heston, a staunch conservative. George W. Bush hosted Barbra Streisand, an ardent Democrat.
The Art Of Censorship WIthout Leaving Fingerprints
The art of controlling speech while avoiding the appearance of doing so has lasted through the ensuing decades. In the 2000s, explicit instructions went out to provincial officials that they avoid putting any censorship or blacklisting into writing. To kill an article, officials should get on the telephone and instruct editors orally. Similarly, serious speech-crime offenders—people being sent to prison for years—were charged under face-saving euphemisms: tax evasion, fraud, even “blocking traffic,” or simply “picking quarrels.”
What Would A New Version Of Voyager’s Golden Record Contain?
Some critics of the original say it was a poor representation of Earth because it was created by a small group of people who chose to present a rosy view of humans and leave out the terrible things they’re capable of. Lomberg, Ferris, and other Voyager members say the criticism is fair, but Lomberg said the tone of the message was appropriate for the job. The Golden Record was both a first impression and a final word. “You meet somebody, you don’t start by telling them all your flaws,” he said. “We presume this will be found after we’re all long dead. Isn’t it nice to be remembered for what’s best rather than what’s worst?”
The New York Times Grand Schedule Of American Arts Highlights For 2017/18
It’s quite a list…
Understanding America Through The Lens Of McDonald’s
“I found myself in McDonald’s a lot because of the friends I made: people who were homeless, addicts. Eventually I found myself going not only because they were there, but for the same reasons that they went. It was a place I could sit and get a moment of respite. I could charge my computer and my phone, use the wi-fi, use the bathrooms, and the food and coffee were cheap and good. And I started noticing how strong the community in each McDonald’s was.”
Detroit Hires A ‘Chief Storyteller’, The First In Any U.S. City
“The $75,000 position … was conceived to give Detroiters a way to connect and discuss issues that don’t get covered by the city’s traditional media” – i.e., something other than ruin porn or comeback boosterism. The person named to the job is popular journalist Aaron Foley, author of How to Live in Detroit Without Being a Jackass.
Seriously – Do We Really Know Who Our Audience Is?
“Let’s be realistic: theatres can’t force self-identification on our audience members. Most people want to come to the theatre, see a show, then leave with their friends. They aren’t interested in meeting our nonprofit funders’ reporting requirements. Still, arts administrators have to come up with estimates, because we have to complete those final reports. And unfortunately, any estimation method we select has problems.”
America’s Latin American Art Connection – It’s Incestuous, Really
“Disney borrows from Latin America, they turn it into something Hollywood, they send it back to Latin America, and the Latin Americans do something else with it and send it back.”
Neo-Nazis Are Fixating On Medieval Europe – How Should Medievalist Scholars Handle This?
“Telling the story of the Nazi love affair with the medieval past doesn’t require blaming medievalists per se. It’s not about whether our intentions are good. … Having discovered it, the question is what to do. And the first step is to understand the myriad forms that racist engagement with the Middle Ages can take.”
