Regarding warning messages, researchers evaluated them to be sure they could be understood with a literacy level of 5th grade or lower. They initially hypothesized that the threat of fines alone was most likely to scare off illegal downloaders. But they were surprised to find that people are equally leery of being monitored by unknown entities — and pairing the repercussions proved most effective.
Category: issues
DC Public Arts Funder Requires Grant Recipients To Not Make Offensive Art – Or Lose Money They’ve Already Been Awarded
In a rare step made after millions of dollars in public funding was approved last month, the local arts commision said it would terminate any grant supporting work that the commission deemed “lewd, lascivious, vulgar, overtly political, or excessively violent, constitutes sexual harassment, or is, in any other way, illegal.” Arts leaders who were asked to sign the contract amendment expressed shock at the request, which several described as an attack on their artistic freedom.
How One Artist-Endowed Foundation Is Evolving For Today’s Art Philanthropy
“The 25-year-old Joan Mitchell Foundation has worked tirelessly to promote her legacy while providing critical support for working artists, particularly women and artists of color. [Mike Scutari] recently had an opportunity to connect with the foundation’s CEO, Christa Blatchford, about the foundation’s evolution, the growth of artist-endowed foundations, and some of the larger trends permeating the arts philanthropy landscape.”
As Brazil Turns Right, Artists Worry, And Some Flee
It’s not just the election of Jair Bolsonaro (though that’s the tipping point); it’s the growing stridency of his conservative, and especially Evangelical, base, who (egged on by rumors and distortions on social media) have begun denouncing the work of some experimental artists and cultural figures as blasphemy or pedophilia. Some of those artists, facing death threats and not trusting the new government to protect them, are leaving the country.
Using The Arts To Help Rebuild Mosul, Ravaged By Three Years Under ISIS
The Iraqi city was the largest one that the violent extremist group conquered, and while it was liberated last year, there is still wreckage (physical and psychic) everywhere. Late last month, a group from the Iraqi National Symphony organized an orchestral concert in Mosul, and the city is hosting more cultural events as well — not least to get attention from international donors who could fund reconstruction.
How Political Should The Art World Be?
“There’s a tendency to see the art world as separate from broader cultural, social, or political worlds, which I think is not helpful or accurate. Particularly with protests against institutions we’ve seen that issues of class, race, gender, and access are vital. Protesters come to us because they see us as part of the world, and hold us to task accordingly. We have greater legitimacy and more importance than we sometimes think we do. We have a responsibility towards the public.”
When We Say That ‘Art Is A Right, Not A Privilege’, What Exactly Do We Mean?
The statement can mean one of two things: “access to art is a moral right” or “access to art ought to be a legal right; that free access to museums and other institutions housing cultural artifacts should be legally guaranteed to citizens.” NYU art professor Nickolas Calabrese argues that, while the first would seem to be true on its face, the second is far more problematic than most people who favor it seem to realize.
Do Swag Gifts To Donors Actually Help Raise More Money?
Some nonprofits insist that donors expect these “premiums”; some donors insist they want as much money and staff time as possible to be spent on the nonprofit’s actual mission. Jonathan Meer, an economist who studies altruism and philanthropy, looked at existing research and did an experiment of his own to find out of giving swag to donors is worth it. The answer? Well, …
Cost Of Manchester’s New Arts Center Goes Up By Almost £20 Million
The Factory, designed by Rem Koolhaas’s OMA and going up on the site of the old Granada TV studios, is now budgeted to cost more than £130 million. The additional costs are caused by “construction inflation” and design changes required to improve the venue’s acoustics.
LA Times Critics Reflect On How The Arts Changed Since The Great Recession
“Tough times are not always bad times, and so many factors are involved in the evolution of the arts that cause and effect are simply not quantifiable. Technology. Entrepreneurship. Audiences. The economy. You name it. All play ever-changing parts. Institutions die and new ones are born. Look around downtown L.A. and elsewhere. Young musicians have begun their own ensembles. To be an outlier is to be in. Composers have found the players they need. New music and new opera are thriving throughout the country like never before. What matters in the end is not money but priorities.”