Category: issues

“As they head back to the classrooms in coming weeks, kids may find their favorite part of school cut or reduced. The culprit, some educators and arts advocates say, is a combination of historic fiscal crises in the states and new federal standards stressing academic basics. Some critics say that if school officials cut unnecessary overhead costs they wouldn’t have to touch academic programs and activities.”

A California state legislator writes of his fight to keep arts funding alive in California: “We are truly at a turning point in the relationship between government and the arts. I had one of the hardest fights of my life this year to prevent the legislature from eliminating the California Arts Council entirely. Not just defunding it, but eliminating it from the state. I have no idea how or why this proposal came about, but it was made and it very nearly happened — California almost became the first state in the nation to abolish all public funding of the arts. As it is, we will continue to fund the arts, but at a level that is the lowest in the nation. Lower than Mississippi. Lower than Alabama. Lower than North Dakota. The state’s General Fund, which last year gave the California Arts Council about $18 million, will now fund it at $1 million. We will thus be spending less than 3 cents per capita on the arts. For comparison, the national average is $1.00 per capita. The math on that is fairly easy — California spends about 3% of the national average on the arts.”

“Europe’s ‘cultural Chernobyl’, as one French critic called Disneyland Paris, is in meltdown again. Falling attendance, overspending on a new movie-themed park and those cursed terrorists are to blame. This month, it announced it would have trouble repaying its banks and the doomsayers are predicting bankruptcy.”

Some critics have quickly tired of flash-mobs that began this summer, writing off the phenomenon as “a slightly annoying fad, the techno equivalent of streaking. Others detect a ‘social revolution’ in the offing. Flash mobs are worth paying attention to. They offer a lesson about the evolving nature of networks: from Friendster, a six-degrees-of-separation dating service, to the ‘relationship mining’ software that combs through employees’ electronic address books to identify which of their contacts might be useful to the employer. What flash mobs do is make networks tangible.”

“Students across the United States have been getting suspended and arrested for written work that authorities have deemed threatening. After two students in Colorado opened fire at Columbine High in 1999, killing 12 other students and a teacher, states and schools have been scrambling to find ways to protect students before violence occurs. But critics say they’ve been overreacting and violating constitutional rights.”

Not so long ago, the city of Somerville, Mass. was “dilapidated, a place where artists got harassed; they certainly didn’t hold court at major intersections or thrash about in the street like dying fish. Over the past 20 years or so, the stigma of living in Somerville has been reduced, if not completely removed. Whatever the general explanation, most folks credit local artists — and, on a larger scale, the visible integration of art into the community by the Somerville Arts Council (SAC) — for helping to revitalize the city and improve its residents’ quality of life. The SAC is much more than a funnel for state grants. It’s a relatively high-profile, community-based collective that not only produces independent cultural programming all year long, but works to draw out the artistic strengths of its community. Which makes Somerville a kind of local-arts-scene success story, a city in which the influence of art isn’t merely discernable, but recognized for helping improve the town’s very tenor.”

Ninety percent of the world’s languages are expected to die out within a generation. “The social status of a language is the most accurate way of predicting whether it will survive, argue researchers in a paper appearing in the journal Nature. They also suggest that active intervention to boost the status of rare and endangered languages can save them.”

In theory it’s a good idea that those who create something should be entitled to be paid for it. Trouble is, most copyrights aren’t owned by the person who created them. So complaining that “artists need to be paid” as a justification for the current copyright laws is… well…

“In this time of exploding budget deficits, economic paralysis, and persistent revenue contractions, 2003 to date has offered very little news on the subject of state and local arts funding to give cause for good cheer. Dozens of states and hundreds of localities have cut arts appropriations – by half, two-thirds, three-quarters, or more. And while it’s been a useful time for arts advocates and thousands of not-for-profits to join together in common spirit, the whole definition of victory at the moment is oddly perverse: If cuts are less draconian than first feared, if arts agencies are spared abolition, that’s considered a win. Missing in all this, meanwhile, are pro-arts words from elected figures.”

This summer’s Edinburgh Festival looks like it will be the most successful edition ever. “With two weeks to go, the Festival has already taken more than £2.38 million at the box office this year – more than the entire sales for last year’s event. And senior figures say the previous record of £2.4 million, set in 2000, should be broken soon.”