Category: dance

Scottish Ballet wasnt to turn itself into a modern dance company. But this week a Scottish Parliament committee condemned Scottish Ballet’s financial plans as “hopes, wishes and false expectations,” and accused it of erecting a “necessary smokescreen” in announcing it would be moving away from traditional ballet. Now the wife of the Scottish First Minister says she supports the company’s plans. The Scotsman 12/01/01

Ross Stretton is barely into his first season as director of London’s Royal Ballet, but his influence is already being keenly felt. “His line on the ‘heritage’ repertory seems tough – ballets, he says, need to change over the generations because dancers today are so different from ‘the chocolate box-sized ballerinas of 50 years ago’.” The Guardian (UK) 11/28/01

Has September 11th saved American dance? TNR’s Jenifer Homans observes that post-modernist dance had become ingrown and vacant. “September 11 certainly has focused our minds, and some things, at least, are clearer than they were before. It is now possible to say, with a new conviction, that nostalgia, sentimentality, and postmodern narcissism make for inadequate and spiritually vacant art.” The New Republic 11/26/01

It’s a tough time to be out raising money, but the Alvin Ailey company has begun a $60 million campaign to build a new home of its own. The New York Times 11/27/01 (one-time registration required for access)

Five young dancers with the Australia Ballet have stripped down to their underwear to pose for a men’s magazine. They say they want to “counter the ballet’s reputation as a stronghold of fusty traditionalism.” But critics say the “seductively posed and scantily dressed ballerinas strutting their stuff in men’s mags debases the art form.” The Age (Melbourne) 11/25/01

“Old dancers never die, the saying goes, they just shuffle off. First a knee goes, then an ankle, then a hamstring. The paychecks get to be too skimpy. Or the traveling gets to be too much. Not all dancers can or want to choreograph or teach. But dancers possess traits like discipline and vitality that are treasured by employers.” The New York Times 11/25/01 (one-time registration required for access)

Has it come to this? Is Barbie cashing in on the popularity of The Nutcracker or is this some misguided hope that more little girls will take to dance if their little plastic pal is a dancer? “The computer-animated Barbie in the Nutcracker is a higgledy-piggledy mix of dialogue, action adventure and dance that owes as much to Disney as it does to Tchaikovsky or ballet. If you took a Barbie in your hand and made it fly through the air, you’d get a fair idea of how stiff the animated figures sometimes seem, not a good sign for a film in which Barbie plays a ballet dancer who performs the role of Clara and dances a pas de deux with Prince Eric, played by Ken.” The New York Times 11/22/01 (one-time registration required for access)

Alina Cojocaru had only been with the Royal Ballet one year when she was promoted on-stage – a signal honour, comparable to battlefield promotion for a soldier – to the rank of principal. And she’s only 19, daughter of the Romanian proletariat, chosen as a child by Russian ballet masters for training in Kiev. Is she really that good? The Telegraph (UK) 11/21/01

It’s always hard to pick a classic. Modern dance is a particularly difficult art form to figure out what will endure. “You’re never sure of your decisions. People even tire of the Mona Lisa and `Hamlet.’ That doesn’t mean they aren’t masterpieces.” The New York Times 11/18/01 (one-time registration required for access)

A 650-page biography of the tempestuous life of Isadora Duncan is out. “Isadora is pieced together from a vast archive of love letters, magazine clippings, diaries, drawings and photos – to the extent that Peter Kurth’s job occasionally appears as much editorial as biographical.” Salon 11/12/01