What Christopher Wheeldon’s New Company Means

“Wheeldon has taken an enormous risk, abandoning the comfortable role of resident choreographer at City Ballet for a venture with unknown prospects. At the same time, in a world of relatively few big-name ballet choreographers, Mr. Wheeldon’s announcement has prompted comparisons with giants in the field — like George Balanchine, the co-founder of City Ballet with Lincoln Kirstein, or Serge Diaghilev, the impresario behind the legendary Ballets Russes.”

Who Owns Your Dance When You’re Dead?

After the debacle over who owns Martha Graham’s dances, other choreographers have begun thinking about what will happen to their work when they die. Paul Taylor and Merce Cunnigham’s plans are “as much a reflection of their singular personalities as are their dances and the troupes each has molded for more than half a century. Mr. Cunningham has made at least 150 dances since founding his troupe in 1953; Mr. Taylor has composed 125 works for the company he created in 1954.”

A Celluloid Dance

“Few filmmakers can suggest the three-dimensionality of dance, and few dance-makers can successfully choreograph for camera. The artists who can elegantly marry the two forms are rare enough to merit their own festival–the Dance on Camera Festival, now in its 35th year.

Does TV Hold Riches For Dance?

“At a time when even PBS’ ‘Great Performances’ series has turned its back on dance, such network series as ‘Dancing With the Stars’ and Fox’s ‘So You Think You Can Dance’ represent a new beginning for dance as a popular art, an affirmation of the work ethic, self-affirmation and above all, the sheer pleasure involved with dancing and watching others dance.”