A Huge Audience For Dance

“When the Mark Morris Dance Group takes the stage before live cameras Thursday in the internationally acclaimed “Mozart Dances,” 5 million viewers – as many as watch “America’s Next Top Model” each week – will tune in to see the dance. How does “Live From Lincoln Center” pull it off?”

A Burgeoning Dance Form Has Battle Call At Its Heart

“South Korea is at the forefront of the new wave of break-dance, or b-boy, artistry, but dancers from France to China are also incorporating elements of jazz, capoeira, acrobatics and martial arts into longer choreographed works that are intended for a mainstream audience and the legitimacy of a proscenium stage. Though still largely unknown, this new generation has reinvented a movement style that in many ways had been exploited and dismissed.”

Would Erasing Bolshoi Blackface Harm “La Bayadère”?

“The Bolshoi may have toned down the black face paint for what can only be described as the ‘golliwog’ dancers in its current staging of La Bayadère, but is it time to get rid of them entirely? For those who haven’t seen or have blanked all memory of these exotic cuties, they are the eight little girls who are deployed as ‘native’ fan bearers in the first two acts of the ballet, and who are periodically let loose in capering, flat-footed dances that barely stop short of them scratching under their armpits. … If we find them difficult to stomach, however, what do we want to happen?”

Saving The Bolshoi

“Boris Yeltsin will be remembered by some for his erratic, drink-induced behaviour. To the Bolshoi, however, ‘Tsar’ Boris was the hero who saved the company from the uncertainties of privati sation. ‘During the 1990s, there were those who fought to turn the Bolshoi into a corporation. It was Yeltsin who created the special law to protect our theatre as a national treasure; and it was under him that the £400m reconstruction began’.”