In Dance, Even Recent History Can Be Mythology

“The ephemeral nature of dance often leads to clichés about its being the art of the present. Would that it were. In some ways, the very fact that dance is fleeting makes it the least fully present of all the arts. Whether immediate or distant, the past intrudes, filtered through a most unreliable sieve: memory, which simultaneously augments and distorts every performance we see.”

Dragging Ballet To Its 21 Century Audience

Is ballet irrelevant to a large chunk of the public because it consists of too many 100-year-old dances with no connection to modern life? George Steel, the composer-turned-chief of New York’s innovative Miller Theater, thinks so, and he’s using his venue to showcase new dance work in an effort to promote the idea that dance is better when its alive and new.

China To Unveil Arts Complex With Military-Style Ballet

“Ballerinas with machine guns will grace the stage for the first performance at China National Grand Theatre, when the spectacular arts complex opens its doors on Tuesday. The Red Detachment of Women ballet is one of seven shows that will be put on during a trial of the silver, egg-shaped building designed by the French architect Paul Andreu.” Among the audience will be “people whose homes were demolished to make space for the theatre development.”

Joffrey Ballet Names New Director

“Ashley Wheater — who trained at the Royal Ballet, worked with choreographer Frederick Ashton, was mentored by Rudolf Nureyev, danced with the Joffrey Ballet and has spent the past 18 years with the San Francisco Ballet as a dancer, ballet master and assistant to artistic director Helgi Tomasson — was formally named the new artistic director of the Joffrey Ballet. He is the immediate successor to the company’s two founders: Robert Joffrey, who died in 1988, and Gerald Arpino, now 84, who was named artistic director emeritus in July.”