88-Year-Old Makes Ballet Debut

John Lowe is a former teacher and has been sturying ballet for nine years. “It’s a wonderful feeling. I had always wanted to dance and it proves it’s never too late to learn. I see these people crawling around, hunched over smoking a cigarette – they should be doing ballet.” He will be appearing with the Lantern Dance Theatre Company at The Maltings in Ely tomorrow.

A YouTube Dance-Off

A Colorao dance company uses YouTube video submissions for a choreography competition. “The goal is that it will get people curious enough to go to the theater, because there’s no replacing live performance. It’s amazing how many people in the world have never gone to the theater or seen a live performance. It’s important to see how different that really feels.”

Live Music Dances Back Into View

“The use of taped music in the 20th Century helped popularize dance by saving costs. But there’s an imbalance, a vacuum, a sense of something missing. Take away live music, and you take away part of the thrill.” But in Chicago, something of a live music revival is underway in the city’s prestigious dance scene.

Bootlegging Dance

“When commercial DVD producers don’t provide performances by the current crop of bravura dancers or the rep buzzed about on every blog, dance fans now have the means as well as the incentive to do it themselves, posting their footage on YouTube or circulating their shoots via homemade DVDs.”

Americans Head To The Ballroom

“USA Dance, a national nonprofit group devoted to getting ballroom dance into the Olympics, reports a 30 percent increase in its membership since the debut of “Dancing With the Stars” five seasons ago. There are about 200 USA Dance chapters across the United States, and on any given weekend those chapters have about 23,000 dues-paying members hoofing it on dance floors.”

New York’s Dancer Of The Moment

“This season Clifton Brown, now 27, has emerged as one of the most gifted members of the Alvin Ailey American Dance Theater, standing out for his quietly powerful virtuoso technique and the lyrical grace and translucent inwardness of his performances… He began a career as a stealth performer, a dancer who has the goods but moves slowly up the ranks and into the audience’s consciousness.”