Do Choreographers Need Editors?

Judith Mackrell: “In dance, however, there’s no real equivalent, no institutional version of an outside eye to spot a weak narrative, a slack structure or an idea that’s not quite working. … Nor is it even clear who that figure might be. … [Even so,] I think the art form is suffering needlessly from this lack of systematic editorial input.”

Becoming The World’s Tallest Ballet Dancer Wasn’t Easy

Fabrice Calmels (6’6″): “I knew I had the technique and could do a lot of things principal dancers could do and I wanted my chance. But everyone was like, ‘You know, I think you’re really tall. I don’t think you’ll ever have a career. I think you should be doing something else from ballet.’ And when you’re young, that really f***s with you.”

What Misty Copeland Thinks About “Black Swan”

“I really enjoyed it, but I understood what it was. It was a horror film. I mean I’m a dancer and I knew that it wasn’t supposed to be portraying what we are. The great thing about the movie was that it provoked people to think about ballet, which is always a great thing. But once they open up that conversation, it’s educating them on what ballet is.”