Merce Cunningham Gets A Museum Retrospective

“The Walker Art Center in Minneapolis and the Museum of Contemporary Art in Chicago are to hold an extensive two-city exhibition, ‘Merce Cunningham: Common Time,’ opening in February 2017.” There will be Cunningham sets by the likes of Jasper Johns and Robert Rauschenberg, film and video installations by Charles Atlas and Nam June Paik, Cunningham music by John Cage and Morton Feldman – and, of course, dance, performed by both international companies and a group of former dancers with Merce’s own company.

Twyla Tharp On Performing In The Wake Of Atrocity

“Ultimately we go on with no mention of this obscene parallel reality abroad. But our pre-curtain announcement, ‘Turn off cellphones as a courtesy to your fellow audience members,’ seems poignant to me as I think about courtesy, as I think about gatherings, and as I realize that performance cannot take place without the right to assemble.”

How ‘Flesh And Bone’ Is Like An Actual Ballet

“A typical classical ballet is based on fantasy or fairy tales, … Flesh and Bone is a contemporary twist on these familiar tropes. The princess escapes the tower of her imprisonment and flees straight into another evil lord’s hands, and must struggle to free herself from him while battling the dragon of her past as well and severing its final chains. Along the way, she encounters several would-be knights … and dodges the rival fading queen/ballerina who wants to see her destroyed.”

Twyla Tharp, Vampire

“Yes, I’m Dracula, they’re the soil and the dance is the coffin. … In a way it’s not a bad analogy because what I do is, you know — can I dance? Sort of. Am I in condition to do much of anything right now? Absolutely not. I don’t obviously have the instrument now to evolve really demanding physical movement. For that I need — hello — younger bodies.”