Balanchine’s ‘Divertimento No. 15’ – Alastair Macaulay Does The Arithmetic

“Three men to partner five women! … I’ve often wondered if the name Divertimento No. 15 gave him the idea: 15 = 5 x 3, a kind of numerical pun. Having eight principals (5 + 3), he matches them with a corps of eight women. As you watch the changing corps patterns, Balanchine shows how neatly divisible the number eight can be – two fours, four twos: symmetries abound. But then you see those eight principals. Eight, after all, can contain an imbalance.”

How Did Argentine Dancers Get To Be So Great?

“Around the world, there are prominent Argentine doctors, scientists, international-law experts, conductors, musicians. This is especially striking in the world of dance. Ballet was more or less a twentieth-century import to Argentina, brought by travelling troupes like Diaghilev’s Ballets Russes, but its roots have dug their way down deep.”

Swing Dancing’s Sexual Assault Scandal, And How The Lindy Hop Sommunity Handled It

“With his silky moves and electric personality, [Steven Mitchell soon rose to prominence as a swing dancer, receiving a star’s welcome in every city. When interest in swing experienced a resurgence, particularly in the 1990s, Mitchell – depending on who you ask – either rode the wave or created it. But there’s a group of women who know a very different Steven Mitchell.”

Turning The Daily Go-To-Work Grind Into Dance

“Every day, billions of people in America and around the world wake up and start their daily rituals to eventually end up at work. Preparing for work can entail so many details, but for most it involves both mental preparation and some kind of physical preparation, whether it’s getting into office-appropriate clothing or physically traveling to one’s place of work.” Enter choreographer Dana Gingras and her company, The Holy Body Tattoo.

‘Dance’ Magazine And Its Siblings Acquired By Wall Street Exec/Dance Patron

“Wall Street dealmaker Frederic Seegal has acquired five titles of Dance Media from Macfadden Communications. Seegal, the one-time CEO of Wasserstein Perella and current vice chairman of Peter J. Solomon Co., … has been a longtime patron of the arts, serving as past president of the American Ballet Theater’s board of trustees and as a trustee for the San Francisco Symphony and the San Francisco Opera.”

Why Sergei Polunin Made A Movie – And Why He Thinks Dancers Need More Movies

“I thought of building a better system, like the movie industry. I talked to David, and he asked, “Do you have an agent?” When I told him no, he said, “How do you guys get work if you don’t have an agent?” Then I talked to Ralph Fiennes and found out he has huge support; he has managers and agents and a company. Dancers don’t have that, and I realized that’s the key. That’s what we need to create, because that creates the industry.”