The Young Woman Who’s A Tap Dancer Like No Other

“Michelle Dorrance is a new kind of tapper. Classically, tap is a matter of a cool, contained upper body suspended over a huge clatter down below—a contrast that is supposed to be witty and, in a great or even good tapper, is. (“My feet are producing twenty taps a second, in alternating rhythms? Gee, I didn’t notice.”) Dorrance supplies plenty of action in the feet, but meanwhile the rest of the body is all over the place. Her elbows fly out; so do her knees, in great, lay-an-egg squats. She looks like a happy little tomboy vaulting around in a tree. Now and then, she’ll put on the mood-indigo, darkness-in-my-soul expression sometimes seen in tappers, or, alternatively, the Vegas-y let-me-entertain-you expression, but both of them fall off her face pretty fast, because she is fundamentally unaffected.”

A Bricklayer’s Son Who Taught Himself To Dance By Imitating Michael Jackson Moves Just Won An Australian Ballet Prize

Callum Linnane didn’t have a contentious relationship with his dad, though: “It’s been a quick rise to public notice for the country boy, who began tap-dancing classes at the age of seven and started ballet classes when he was 11. His father reportedly learnt to love ballet and even made the sets for his performances as a child.”

Sergei Polunin’s Rise, Fall, And Return To Dance – And What He Thinks About It Now

This preview of the documentary Dancer gives a good overview of the story of “ballet’s James Dean” – with quotes like this one about his troubled period in London: “At first, I didn’t want to talk to the media, I feel like I was shaken into talking to them, then they became [a sounding board]. … I started using the media as psychiatrists, I guess, they were someone to talk to.”