Pop-Up Theatre Can Change Lives

When Fiona Shaw decided to perform excerpts from T.S. Eliot’s “The Wasteland” in (and near) an empty fountain in Central Park, she didn’t want it announced – and there was only a brief mention on social media. Then word of mouth happened. What’s next? “Taking theatre to the audience in unexpected ways can only serve to evoke interest, and may capture the imagination of those not used to planting themselves in a theatre seat.” – The Stage (UK)

Are Trigger Warnings At Theatres Useful Context Or…

As part of his PhD research on theatre spectatorship at the University of Toronto, Scott Mealey interviews many audience members and says he’s “shocked” by the level of anxiety many of them “seem to feel as they encounter theatre, especially if it seems unfamiliar in some way. The more I talk about it the more stories people offer me.” – Toronto Star

Alexa! Play HAPPY Music! (And Why That’s A Challenge)

Using your smart speaker to play music is the top use for them. But making music choices useful has been a challenge. “Using voice to sift through and access music may be a relatively new idea, but it’s brought with it an immense technological challenge that streaming companies, record labels and machine-learning start-ups are all reckoning with. Proper use of this new interface and underlying metadata can mean the difference between sinking and staying afloat on the smart speaker medium.” – BBC

The Small-Town Grouch Who Declared ‘Libraries Are Communist’ Was Right, Thank Goodness

Theman who said that was in a rural hamlet in the mountains of New York state, and Sue Halpern had just been dragooned by the town board to set up a lending library with a total of $15,000. About a year on, after tremendous success, Halpern decided she agreed: “A public library is predicated on an ethos of sharing and egalitarianism. … It is defiantly, proudly, communal.” – The New York Review of Books