How Condé Nast (Who Was A Real Person) Invented The Glossy Magazine

“The equation of upscale readers and upscale brands with profit, projecting an aspirational image of the ideal consumer through both editorial and ads so that vulnerable readers would chase it, made Nast’s fortune many times over. His company established the template of the editor as a heroic, godlike figure casting down commandments from a print Mount Olympus, a status that continued after Nast’s death through the twentieth century.” Then, of course, came the internet and social media. – The New Republic

When Schools Utterly Fail At Sex Education, Fanfiction Fills In The Gaps

That’s right: Fanfiction, with its hookups of likely and unlikely characters, its absolute refusal to live by the rules of the world set by authors like J.K. Rowling and Suzanne Collins, educates the teens of the world about sex, friendship, and much more, especially for LGBT youth: “Where the education system failed us, our fellow horny teens stepped up.” – BuzzFeed

Backup Dancers Are Leaping To The Forefront With The Power Of Smart Social Media

Backup dancers aren’t very “backup” anymore; instead, like the 16-year-old who began touring with Janet Jackson at age 12 and is now a major social media influencer, they’re at the center of the conversation. That’s thanks to Instagram. “Internet popularity can be a dancer’s entree to choreographing and starring in her own viral videos, traveling the world as a guest artist and teacher, and inking lucrative brand deals and endorsements.” – The Washington Post

Dallas Placed 149th Among U.S. Cities On The Arts Vibrancy Index. Here’s How One Organization Is Trying To Change That

“The Arts Community Alliance (TACA) … has been raising money for the arts in Dallas since 1967. Today it doles that money out in the form of more than 60 general operating, artist residency and new works grants each year. … But in addition to providing monetary support, a big part of TACA’s role in Dallas is what [TACA’s executive director] calls arts leadership. It more or less means helping carve a path forward for the local arts community as a whole.” – SMU Data Arts

Why Orchestras Giving Free Concerts Is A Very Bad Idea

Aubrey Bergauer: “Giving it away for free, whether by regularly scheduled programming or by striking or locked out musicians, is not getting the job done. It’s not growing audiences, it’s not building tons of new support, and — please hear this — it hurts us when people don’t see how much it costs to produce this art. [Here] are five reasons why free concerts are not serving us well.” – Medium