The Hero Of This ‘Hamilton’ Is The One Who Wrangles 200 Women In And Out Of 16 Bathroom Stalls At Intermission

Head usher Tanya Heath at the Forrest Theatre in Philadelphia begins working her miracle with a talk like this: “May I have your attention, please. We are at minute five out of a 20-minute intermission, which means I have 15 minutes to get you into this bathroom. I’ve formed a serpentine line. And it works. It only takes about six minutes from that door to get you in this bathroom. All I need you to do is trust me and trust your sisters.” – The Philadelphia Inquirer

Bookstores Are Awesome. Should They Charge Admission?

Why not monetize the intangibles? The Strand, and stores like it, could charge an admission fee. Something token, like a dollar. For a buck, you’re granted access to everything the store has to offer. You can browse to your heart’s delight. There’s no pressure to make a purchase. And, if you do buy something, perhaps the item costs close to what it would cost online, because all of those dollars would have allowed the store to lower its prices. – The New Yorker

Why You Shouldn’t Trust Netflix’s Viewer Numbers

Yes, Netflix is sharing more information about how many people are watching its shows than it did just a year ago, and we now have a broad sense of which shows and movies are especially popular with its subscribers. But there’s plenty of reason to avoid these apples-to-oranges comparisons and take this data with a grain — make that a heaping scoop — of salt. – Los Angeles Times

Study: Movie Attendance Goes Up When Movie Casting Is More Diverse

In its latest data drop, analytics firm Movio has discovered “a correlation between a minority group’s representation on screen and that group’s audience turnout, with some groups attending in numbers at more than twice the usual rate.” The report also shows that consumers less inclined to head to the movies will turn up to the multiplex if they see themselves projected on screen. – Variety

The Nine-Year-Old Theatre Fan Who Has Something To Say About How To Behave At A Show

Sadie is the unlikely new Emily Post of the theatre community. In June, just before leaving for sleepaway camp, she put Magic Marker to paper and laid out what she calls her Broadway Rules, and the manifesto made the rounds. Her ten do’s and don’ts include some items that seem obvious (“Stay in seat until intermission,” “Listen to the Ushers”) as well as a few that rarely make it into etiquette primers (“NEVER sing along,” “No ‘gas passing.’ ”) – The New Yorker