“Night Fall, a dreamy ballet inspired by the white acts of Swan Lake and La Bayadère, was choreographed specifically for virtual reality by Peter Leung” on the Dutch National Ballet. “Viewers are dropped right in the center of the action, with the dancers and a lone musician swirling around them.”
Category: AUDIENCE
This Week in Audience: Connecting the Dots As Louvre Visits Decline 20%
This Week: Tate goes for an artificial intelligence art project… UK has more amateur orchestras than you can shake a stick at… Does community storytelling take advantage of the storytellers?… Why the Louvre’s attendance is down 20%… When data drives your art experience the art changes.
How Upright Citizens Brigade Turned Improv Into Big Business
“In 2003, the Times reported that ‘some 500 students’ were enrolled in ’30 or so improvisation and sketch-comedy classes’ at U.C.B. In 2011, New York had the figure at approximately eight thousand. The organization doesn’t reveal numbers (the better to avoid quibbling about not paying its performers), but one current employee let slip the latest tally: last year, U.C.B. trained twelve thousand students. That’s about five million dollars in revenue.”
At North Korea’s Only Film Festival, There’s No Red Carpet, And The Audience Screamed At A Gay Sex Scene
“With three screenings a day in seven theatres across Pyongyang, the majority of films are foreign titles for a local audience. North Korean filmgoers are so excited when the theatre’s doors crack open, they literally run for a seat. Some are left standing in the aisles, some sit on the floor, and many seats have two people squeezed into them.”
Louvre’s Attendance Down 20% So Far This Year
“In a phone conversation with a representative for the Louvre – which is the most-visited museum in the world – artnet News discovered that attendance from January through June dropped 20 percent compared to the previous year.”
Dance Is The Perfect Art Form For Export, Which Is A Business Opportunity For Companies
Anthony Missen, director of Britain’s Company Chameleon: “From [our company’s] perspective, dance as an international export works because our dance pieces are scalable. Working both indoors in theatres and studio venues, and outdoors at events and festivals, our work can be presented in small squares, big plazas and huge theatres in sprawling cities, busy towns and relatively isolated rural communities. This flexibility means we can perform in a huge number of contexts and within a wide range of budgets.”
Bitter Experience: Theatre Critic Finally Gets Why Regular Middle-Class Folks Don’t Go To Plays More Often
Andrzej Lukowski, theatre editor at Time Out London: “I [now] realise the essential reason theatres are so full of old people is that they don’t have to support their offspring. … There are no theatre access schemes to help out nice middle-class people who happen to be temporarily skint because of childcare, and quite right too. But … anybody who says theatre is for everyone is living in a fantasy land.”
New York Times Axes Arts And Culture Coverage In Suburbs: Report
“The New York Times this week quietly ended its coverage of restaurants, art galleries, theaters and other commercial and nonprofit businesses in the tri-state region, laying off dozens of longtime contributors and prompting protests from many of the institutions that will be affected. They foresee an impact not only on patronage but, in the case of the nonprofits, on their ability to raise funds to survive.”
Edinburgh Festivals Boast Another Record Year For Ticket Sales
“The fringe issued 2,475,143 tickets for participating shows across Scotland’s capital, a 7.7% increase on 2015 despite the number of registered events and performances falling marginally on 2015 levels. The Edinburgh International Festival issued a record 169,300 tickets for paying events, posting £4.2 million in sales, marking the first time it has topped £4 million. The number of tickets issued is up from 163,500 in 2015, when the festival posted ticket sales of £3.9 million.”
No. 1 On The Music Charts? What Charts? Measuring Has Become A Mess!
“In recent years the task of tabulating a record’s success and popularity has grown more complicated. What used to be an album sale is now an “equivalent album sale.” Each component — that is a song — of a release — otherwise known as a project — is measured and weighted using industry-approved equations. Simple math? Far from it.”