The rise has been fuelled by the growth of psychological thrillers and the success of big names like Lee Child, James Patterson and Dan Brown. Last year, 18.7 million crime books were sold – 19% more than in 2015, data company Nielsen Bookscan says. They overtook sales for general and literary fiction, which were down 16%.
Category: AUDIENCE
Two Tween “Franchise” Plays Break Broadway Box Office Records
The Harry Potter play, based on a new story by author J.K. Rowling in collaboration with Jack Thorne and John Tiffany, announced Monday that it had set a Broadway record for the strongest preview grosses: $2.1 million in ticket sales for the week ending Sunday at the Lyric Theatre. The Potter news came on the same day that Disney Theatrical Productions announced that its stage musical adaptation of “Frozen” had broken a house record at the St. James Theatre for the second week in a row. After grossing $2,246,997 for the week ending April 1, “Frozen” went on to gross $2,275,395 the following week.
Commerce, Curation, Blockbuster Shows, And The Purpose(s) Of Art Museums
“‘The right function of every museum,’ wrote John Ruskin, the influential 19th-century art and social critic, ‘is the manifestation of what is lovely in the life of nature, and heroic in the life of men.’ Museums of the 21st century have moved on a bit. … They are also ‘destination’ enterprises, with permanent collections and special exhibitions, cafes and shops trying to attract as many visitors as possible in an age of global tourism. … As leading museums compete for crowd-drawing exhibits, and try to balance commercial interests and cultural diversity, visitors are bearing a rising proportion of the cost.”
The “Hamilton” Tickets Problem. Kennedy Center Is The Latest To Be Overwhelmed
Most of the tickets to the blockbuster musical about Alexander Hamilton have been sold, but the Kennedy Center’s handling of sales has been marked by confusion and complaints, with many patrons struggling to buy tickets to the 14-week run, which opens June 12.
English Theatre’s Olivier Awards Broadcast Sees A 40 Percent Ratings Drop
It attracted an average of 600,000 viewers over the two-hour programme, down 40% on the average of one million people who tuned in last year when the show was moved to a prime-time slot (8pm-10pm) two days after the ceremony.
High Special Exhibition Fees Spark Debate About UK Museum Policies
General admission to the main sites of all the UK’s national museums has been free since 2001, and has helped make Britain’s museums and galleries some of the most visited in the world. But it means they rely on government funding or special exhibitions to survive. Critics say this has created a two-tier system, whereby only tourists and higher spenders can afford the special exhibitions.
How Selfie-Driven Museums Are Driven By Their Business Model
The design of selfie-driven “museums” seems to align with other experiential selfie spots like Color Factory, 29Rooms, and Dream Room. They revolve a highly successful business model: sell tickets for $35 to people itching to Instagram themselves, then immerse them in hyperpigmented landscapes funded by corporate sponsors.
Data: Here’s What Makes A Bestseller
“Approximately the same amount of hardcovers are being sold today as they were in past years,” writes a research team led by Albert-László Barbási. “The increasing availability of books in the digital format has [had] no influence on hardcover sales.” OK, but what types of books typically take off? Barbasi and his colleagues report they tend to be works of fiction or biographies/memoirs.
The First Video To Get Five Billion YouTube Views
The official video of the catchy Spanish-language track, featuring Puerto Rican rapper Daddy Yankee, on Wednesday surpassed 5 billion views on YouTube — becoming the first video in the platform’s history to hit that watermark.
How Streaming Data Is Changing How (And What) Music Is Made
Streaming reflects what people will actually listen to on their own, when provided with infinite choices that aren’t entirely constrained by what radio programmers, retailers and record company executives put in front of them. With streaming services, “it’s more data-driven, and more give-the-people-what-they-want-driven, because it’s so limitless.”
