Expanding Autism-Friendly Children’s Theatre

“As Lincoln Center’s education director, Peg Schuler-Armstrong, put it, everyone has the right to experience the benefits of storytelling and the catharsis of the live performing arts. The result has been innovative, highly personalized performance pieces that can be enjoyed equally by children with disabilities and their neurotypical families, so that the joy can be shared.”

We Need To Bring Opera Back To ‘Its Essential Simplicity’: Conductor Mark Wigglesworth

“When people say that opera is not for them, I think – more often than not – they mean that going to the opera is not for them,” writes the former music director of English National Opera. “Or at least what they perceive the experience of going to the opera to be. I don’t believe the art form is the problem. But many find it hard to imagine opera away from the expensive, exclusive and entitled associations attached to it. That’s understandable. For at some point the reputation of opera became separated from its actual performance. The evening parted company with the event.”

Does This Small Country Have The World’s Most Radical Libraries?

“As well as pushing the envelope in regard to architectural skill and style, Finnish libraries have an impressive record of being at the forefront of cultural progress and new thinking. Some of the first maker libraries (spaces where the public can borrow equipment and tools), for example, were founded in Finland, and today, some facilities offer the use of high-tech equipment such as 3-D printers and musical equipment free of charge.”

Could A Classical Music Talent Show Become A TV Hit? (Well, It Worked In Hungary)

Virtuosos is a talent contest which already has a track record of attracting a mass viewership – in its native Hungary. It was started in 2014 by entrepreneur Mariann Peller, … with impressive results: the show’s fourth series has been reaching audiences of over 700,000 per episode, with the 2017 final not far short of the million viewer mark – nearly one in ten of the country’s population, which is comparable to the reach in the UK of mass market talent shows like The X Factor or Britain’s Got Talent.” Now Peller is going to try bringing the show to Great Britain and the U.S. – with no less than Plácido Domingo signing on to be a guest judge.

Broadway Finishes Another Record-Breaking Season

“A rapping Hamilton and a (quietly) rocking Boss propelled Broadway’s box office to new heights over the past year, as rising demand and even faster-rising ticket prices shattered industry records. Over all, the 67 shows that ran over the last season brought in $1.7 billion from 13.8 million patrons, according to figures released Tuesday by the Broadway League.”

Has ‘Gender Blind’ Casting In Michelle Terry’s Fresh Tenure At The Globe Truly Meant Something?

Whatever ‘blind’ casting may mean to Terry and the cohort of each play, the audience sees gender, and that makes a difference. “Many audience members in fact cannot and will not easily look past what seems to them to be a fundamental disconnect between who the gender of the actor as understood outside of the production, and the gender they are playing.”

Los Angeles Times Blocks European Readers Because Of EU’s New Privacy Rules

Friday’s the day the new EU rules go into effect; that’s why you’ve been getting so many emails about GDPR (the new regime) and updated privacy policies. While most websites appear to have tweaked their data-collection policies and are updating their users about the changes in order to continue operating in Europe, some appear to be throwing in the towel completely — among them one of the biggest newspapers in the United States, the Los Angeles Times.”