Audiobook Sales Up By More Than 20% In Past Year

“Based on information from responding publishers, the [Audio Publishers] Association estimates that audiobook sales in 2017 totaled more than US$2.5 billion, up 22.7 percent over 2016, and with a corresponding 21.5-percent increase in units. This continues a six-year audiobook trend of double-digit growth year-over-year.” And the accompanying consumer study explores the advantages listeners find in the format.

Live Nation Wired Up Fans At A Concert With Biometrics. Here’s What They Discovered

At a Cannes Lions presentation this week, Live Nation unveiled the results of the experiment and, unfortunately for music-loving homebodies, they show that dragging yourself to a concert on a Friday will result in three times more emotional intensity than listening to a recorded album alone in your bedroom, wearing sweatpants and eating Wheaties.

Twenty Curators Trying To Reinvent The Ways We Engage With Art

From major encyclopedic museums to university-run institutions, curators who are schooled in the art of ancient Mesopotamia, South Asia, Renaissance Italy, and many other eras and cultures across the globe are expanding and enriching how audiences experience art history. They’re also innovating the way that art is seen, understood, and disseminated.

What Do People Want From A Movie Critic?

It seems to be a more relevant question now than ever, partly due to the changing landscape of filmgoing, partly because of everybody’s ability to be a critic if they so choose. The reviewer is no longer always first to the film, and there have been a number of notable discrepancies between critical consensus and public opinion, from La La Land to Three Billboards, the latter of which prompted Ashley Clark to tweet: “The majority of the consensus-building bloc in film criticism is white and male, and it’s not massively surprising that some of what makes this film objectionable to many didn’t resonate.”

The Neuroscientist On Staff At An Art Museum

Dr. Tedi Asher of the Peabody Essex Museum of Salem, Mass.: “When I first got to PEM,” says Asher, “we knew what the objective was, which was to create more compelling exhibitions for our visitors, by drawing on findings from the neuroscience literature, but we didn’t know exactly how to do that. … I see myself as very much like the mechanic. Like, how do we take all of these parts and work with them in a way that we’re facilitating engagement?”

New EU Copyright Plan Could Block Popular Memes

Those filters could mark the death knell—at least in Europe—for social media use of popular memes like “Distracted Boyfriend” or the entire universe of SpongeBob memes. That’s because the filters created to prevent users from posting copyrighted content would be expected to catch the same copyrighted images from photographs or movies that are the basis for many popular memes.

The Scary Algorithm-Driven Nightmares Of YouTube Children’s Videos

“Beyond the simple knock-offs and the provocations exists an entire class of nonsensical, algorithm-generated content; millions and millions of videos that serve merely to attract views and produce income, cobbled together from nursery rhymes, toy reviews, and cultural misunderstandings. Some seem to be the product of random title generators, others – so many others – involve real humans, including young children, distributed across the globe, acting out endlessly the insane demands of YouTube’s recommendation algorithms, even if it makes no sense, even if you have to debase yourself utterly to do it.”

Are Americans Really Reading Less And Less?

Caleb Crain: “A little more than a decade ago, I wrote an article for The New Yorker about American reading habits, which a number of studies then indicated might be in decline. … I’ll go out on a limb and say that I don’t think that I got this part wrong. But I’ve often wondered whether I was right about the underlying trend, too. Were Americans in fact reading less back then? And are they reading even less today? Whenever I happen across a news article on the topic, I wonder if I’m about to find out whether I was Cassandra or Chicken Little.” So Crain looked into the data.

You’ve Heard Of K-Pop, Now Meet K-Drama: South Korea Exports Its Version Of Telenovelas

“‘The industry’s tripled in size since the early 2000s,'” says [producer] Ma Jung-hoon. … ‘Half of our income comes from international sales.” Says an American executive who distributes K-drama, “I think that the format of Korean dramas is very digestible. So instead of having these long, 20-episode, multi-series shows like we have in the US and other parts of the world, Korean dramas are [up to] 16 episodes. That’s it, you only have one season.”