Category: AUDIENCE

Was Modernist English Literature Deliberately Written To Keep The Riff-Raff Away?

Yes, argues scholar Jonathan Rose. “The intelligentsia was driven to create literary modernism by a profound loathing of ordinary common readers. The intellectuals feared the masses not because they were illiterate but because, by the early twentieth century, they were becoming more literate, thanks to public education, adult education, scholarships, and cheap editions of the great books.” — JSTOR Daily

In Defense Of Opera In English Translation

Mark Wigglesworth, former music director of English National Opera, makes the case: “If opera is drama first and foremost, why is the question of the language it’s sung in so hotly debated? Shouldn’t the same rules as drama apply? I don’t hear complaints about Ibsen or Chekhov being compromised by translations. … Both Verdi and Wagner were energetically supportive of translations. If we could ask them about surtitles, I suspect they wouldn’t understand the question.” — Bachtrack

The Future Of Publishing? This Should Depress You

Mieke Chew recalls a conversation she had with a Croatian publisher about the decrease in book criticism in the four years she has been doing publicity. “He was like, ‘Yeah, that happened in Croatia ages ago,’ and I said, ‘Well, what happened to all the critics?’ and he said, ‘They have blogs now, which barely fucking anyone reads.’ ” That leaves listicles and best-of roundups in place of a robust conversation around books, Chew says, and, as a result, she’s watched many of her colleagues in the industry run to any internet celebrity they could find to help get their books some attention. “Pandering to influencers is just, like—I’d rather fling myself off a cliff,” she says. – Publishers Weekly