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We Are The Stories We Tell Ourselves – And That’s Determined By Our Age

There’s a lot of research now that shows that in the teenage years we develop skills from what’s called autobiographical reasoning—which is the ability to derive personal meaning from your past—and that’s really the key to narrative identity. When you start doing that in your teenage years, then that kind of opens up a Pandora’s box that says “okay now you can actually create a story for your life that makes meaning about who you were and where you’re going. – Nautilus

Netflix India Has Its Own Version Of ‘The Handmaid’s Tale’

“It’s 2047, 100 years after India’s independence, and in the fictional nation of Aryavarta, water is scarce. The republic’s authoritarian rulers are seizing children of mixed parentage from their families, interning the mothers, and forcibly reprogramming them to serve the nation and to purify their defiled minds. … While it has drawn parallels with The Handmaid’s Tale thanks to its depiction of a draconian, patriarchal state suppressing women and restricting their reproductive rights, Leila‘s central themes also include climate change and a deeply hierarchical society organised according to religion, caste and wealth.” – BBC

Are We Reaching The Point Where Dancers Need Big Social Media Followings Just To Get Hired?

“New York City-based choreographer and director Jennifer Weber once worked on a project with a strict social media policy: ”Hire no one with less than 10K, period’ — and that was a few years ago,’ she says. ‘Ten thousand is a very small number now, especially on Instagram.’ … It’s unsurprising that profit-driven dance enterprises lead the pack when it comes to leveraging artists’ exposure; policies at nonprofit dance organizations are generally less defined or even in place. (Multiple major ballet companies declined to speak with us on the record for this story.)” – Dance Magazine

Audience Talks And Talkbacks, And Keeping Them On Track

Says the former director of public programming at Lincoln Center, who has moved on to a new arts center in Abu Dhabi, “I’m someone who dreaded talkbacks and Q&As. While I was in New York, a lot of the time it was just audience members trying to show off how smart they were.” Journalist Zachary Whittenburg talks with presenters and artists about how they direct the focus of audience engagement events. – Dance Magazine

The Access Conundrum At The Heart Of Popular Music Journalism

There are more and more outlets, but they pay writers less and less; there are huge quantities of new music pouring out, but large bodies of readers are going to click on pieces about artists they’ve already heard of; those famous artists have less and less time to make themselves available to journalists, whom they no longer need to reach their fans. Jeremy Gordon looks at this conundrum and seeks a way beyond it. – Columbia Journalism Review

L.A.’s Flagship Arts Complex Was Built As A Shining, And Remote, City-On-A-Hill. Will Its Redesigned Central Plaza Make It More Welcoming?

“We shouldn’t be a white castle on the hill. Our new vision is about deepening the cultural life of every resident in the county. That is a very outward vision,” says Los Angeles Music Center CEO Rachel Moore. Carolina Miranda looks at the Music Center plaza’s new redesign — “less a full-blown re-do than a careful surgical intervention” — and whether it will serve that vision. – Los Angeles Times

Saying He No Longer Feels Welcome As A Refugee, Ai Weiwei Is Leaving Germany For Britain

“[The dissident artist] said he initially chose Germany after leaving China as it had worked so hard for his freedom, but now felt that Germany had changed and he was once again an exile. ‘Today, due to the political conditions in China, I have again been forced out,’ he said, accusing Europe of pandering to Beijing on human rights so as to win more business.” – Thomson Reuters

Fascinating To Contemplate What We Define As “World Literature” (We Read So Little Of It)

“World literature happens when Russian novels remake English literature; when a Turkish writer takes inspiration from a Colombian writer; when Japanese critics review translations of Lebanese poetry. It almost always involves re-interpretation and misunderstanding: a Spanish monk sent to suppress Aztec literature ended up disseminating it instead; subsequently, Aztec hymns envision a Christian God urging revolt against the Spaniards. World literature is also nothing new under the sun.” – Harvard Magazine