Blog

Director Of Venue Gets Death Threats After Resigning In Protest

Lorna Fulton, head of Middlesbrough Town Hall, declined to book comedian Roy Chubby Brown because she thought local audiences might find his act offensive and his 2015 performance sold poorly. The mayor of the northern English city insisted that Fulton reverse herself and hire Brown, saying that her reluctance was “typical middle class prejudice against a blue collar act.” Fulton resigned — and received death threats. – Arts Professional

Italy’s Art Police Bust Antiquities Trafficking Ring

“The Command for the Protection of Cultural Heritage, a branch of the Italian carabinieri responsible for combatting art and antiquities crimes, believe the suspects are members of an criminal gang operating in Calabria that trafficked ancient items, such as antique jars, jewellery and vases from the 4th and 2nd century BC and worth millions of euros. … [Agents searched] houses and buildings in four countries, including Britain, and arrested 23 people.” – The Guardian

Martin Filler: MoMA’s Growth Imperative

MoMA’s endorsement of unending growth is central to the advancement of corporate values that lie at the heart of the existential crisis facing not just it and countless other cultural institutions, but the planet itself. For more than two decades, MoMA has been in a perpetual state of aggrandizement to anticipate the imagined needs of the twenty-first century and future generations yet unborn. – New York Review of Books

What Makes A Great American Song?

For all that composers like Jerome Kern hated jazz and pop interpretations of their work — work generally created, after all, for specific scenes and characters in specific musical plays — Rob Kapilow notes that “it is precisely the freedom to take these canonical works — these ‘standards’ — and continually reinterpret them in the multiplicity of musical languages that have evolved over time that has kept the repertoire alive.” – The New York Times

A Movie Project BootCamp That Uses AI To Cull

This year, the program received more than 11,000 submissions for just 17 spots in its third class. The Impact application consists of 70 questions, what Mitchell describes as a “thesis-like defense” of why the writer’s particular project deserves investment. To manage the overwhelming volume, Impact uses machine learning to sift through the giant pool of applications and identify new voices. The AI is part device, part catalyst: The technology searches for diverse applicants–Mitchell explains they look for people who have overcome challenges in their careers or lives–with the goal of shaking up the historically homogenous film industry. – Wired

Propwatch: the jukebox in ‘Master Harold … and the boys’

Dozens of records, stacked and ready for selection. Before the walkman, spotify and sodcasting, they let you decide your own mood music. Public yet personal, sweetly selfish – the jukebox flourished in the 1950s, the decade in which Master Harold … and the boys is set. A box of delights, a cabinet of chrome and light and your favourite melodies. – David Jays