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Using Digital Media To Preserve Indigenous Australian Storytelling

“For millennia, Indigenous Australian communities have been passing down histories, knowledge, language and customs, largely through oral storytelling. But in a world of digital addiction, where even the most remote parts of the country are being infiltrated by smartphones, telling stories via screens is the new necessary: a way to both preserve tradition and reach out to the young.” – The Guardian

The Seattle Man Who’s Memorizing Joyce’s Unreadable Finnegan

At 25, he picked up Finnegans Wake and tried to read it. He did not get far. He was stopped by a 100-letter word in the middle of the first page. How do you read a 100-letter word, he wondered? “But I’m in music school at the time, practicing the piano every day, and I realize the only way to read a 100-letter word is to practice it like I practice the piano. – The Stranger

Following New York’s Lead (Gingerly), Philadelphia Gives Library Card Holders Free Access To Cultural Institutions

Like NYC’s Culture Pass, the new Experience Pass will let Free Library of Philadelphia cardholders reserve one free entry per year at some of the city’s cultural institutions. But the famous ones aren’t taking part (yet): the best-known of the 11 participating institutions are the Museum of the American Revolution and the Magic Gardens on South Street — along with the Mayor’s Box at the Wells Fargo Center, which means users could see 76ers and Flyers games. – Philadelphia Magazine

Remember That Big Golden Sculpture Hanging In The Lobby Of The New York Philharmonic’s Hall? It’s Gone, And Lincoln Center Says It Won’t Be Back

The abstract artwork, titled Orpheus and Apollo and created by sculptor Richard Lippold specially for Philharmonic Avery Fisher David Geffen Hall when it opened in 1962, was taken down for “maintenance and conservation” in 2014, something that all too few people had noticed. Now Lincoln Center and the Philharmonic have indicated that, when the venue’s reconstruction is completed in 2024, the hanging sculpture won’t be reinstalled “because of current safety standards that impact the wiring.” – Gothamist

‘What I’ve Learned From 10,000 Nights At The Theatre’: Guardian Critic Michael Billington’s Farewell Essay

“British theatre is incredibly resilient, yet radically different from when I took up my post at the Guardian in 1971. Even the job of being a critic has altered in all sorts of ways. … But if the process – and the people who get to write the reviews – has changed, the role of the critic remains much the same.” – The Guardian