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Writing To Learn Versus Writing To Prove

Writing to learn, as I am imagining it, is a divergent social practice fueled by a lovely cocktail of curiosity, imagination, experience, and ignorance. For my purposes, there are two kinds of ignorance that most matter. The first kind of ignorance can be characterized as a refusal to learn. When reason, experience, scientific research, rigorous theory, and historical knowledge are not enough to educate a person to the wrongness or limitations of her ideas then this is a refusal to learn; it is a form of ignorance dependent on willful power, tribalism, and arrogance. The second kind of ignorance, by contrast, describes a state of “not knowing.” – 3 Quarks Daily

Longest Strike In Paris Opera Ballet’s History Shows No Sign Of Ending

“Paris Opera has lost more than 12 million euros ($13.3 million) in a month-long strike by ballet dancers fighting to cling onto pension rights that date back to [King] Louis XIV. … While the opera has seen plenty of strikes by stagehands, it is almost unheard of to have dancers downing tutus. Their decision to take to the streets for the first time in the opera’s 350-year existence made international headlines.” – Yahoo! (AFP)

Pusillanimous Pussyfooters: Museums Object Mildly to the (unattributed) Threats to Iran’s Cultural Sites

It was disheartening to realize that almost all of the statements issued yesterday by museums and their professional organizations “condemn[ing] the targeting of cultural sites for destruction” failed to cast blame for those shameful threats directly where the blame lies — on President Trump. – Lee Rosenbaum

Pentagon Contradicts Trump: We Won’t Attack Cultural Sites

Defense secretary Mark Esper acknowledged that striking cultural sites with no military value would be a war crime, putting him at odds with the president, who insisted such places would be legitimate targets. Mr. Trump’s threats generated condemnation at home and abroad while deeply discomfiting American military leaders who have made a career of upholding the laws of war. – The New York Times

US State Department Details Disinformation Methods

“The messages conveyed through disinformation range from biased half-truths to conspiracy theories to outright lies. The intent is to manipulate popular opinion to sway policy or inhibit action by creating division and blurring the truth among the target population.Unfortunately, the most useful emotions to create such conditions – uncertainty, fear, and anger – are the very characteristics that increase the likelihood a message will go viral. Even when disinformation first appears on fringe sites outside of the mainstream media, mass coordinated action that takes advantage of platform business models reliant upon clicks and views helps ensure greater audience penetration.” – Weapons of Mass Distraction (US Department of State)

400 Years Of Books Teaching You How To Draw

“Until the early 17th century, learning to draw meant entering an artist’s workshop — often as a child — copying the master’s sketches and drawing from plaster casts and live models. Students drew under the supervision and authority of the master. But all of that changed in 1608, when the Italian painter and printmaker Odoardo Fialetti published the first instructional drawing guide.” – Hyperallergic

The End Of Public Opinion?

If disinformation in 2016 was characterized by Macedonian spammers pushing pro-Trump fake news and Russian trolls running rampant on platforms, 2020 is shaping up to be the year communications pros for hire provide sophisticated online propaganda operations to anyone willing to pay. Around the globe, politicians, parties, governments, and other clients hire what is known in the industry as “black PR” firms to spread lies and manipulate online discourse. – BuzzFeedNews

A Nation’s History, Told On The Walls Of Its Capital City’s Subway

“Tashkent’s metro system is so much more than just a means of transportation. Over the decades of its existence, the design and names of the metro’s 29 ornate stations have changed to reflect the turbulent trends of Uzbekistan’s history. In short, a ride on the Tashkent metro tells the story of a country where nation building is still very much in process.” – Global Voices