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Seattle Opera Faces ‘Yellowface’ Issues Around ‘Madama Butterfly’ Head-On

“In reality, Cio-Cio San is a sex-trafficked 15-year-old Japanese teenager,” says Seattle Opera’s (Japanese-American) media-relations manager. “Why are we so comfortable with that, to the point of romanticizing it and telling the story over and over?” The company is, and has been, examining that question; Jason Victor Serinus reports on how.

Why We Need To Confront Racial Bias In Dance Criticism

Theresa Ruth Howard: “How can you truly comment on what you are seeing when you have no technical knowledge of a specific genre like African or hip hop? Critics who stand on the outside of a culture cannot write about what they do not know. … The black body on stage is never neutral, and the effects of its inherent politicization as it relates to the subconscious cultural ignorance and biases held by critics is seldom addressed.”

First-Ever Int’l Festival For Glass Art Debuts Next Month In Venice

Venice Glass Week will feature “more than 140 commercial and institutional exhibitions, talks and conferences, educational activities, open furnaces, film screenings and evening events. The aim is to show how traditional glassmaking techniques can be used to innovative effect in a contemporary context, while also educate visitors about Venice’s glassmaking history”

Many Thought The Internet Would Liberate Thinking And Make Us Smart. It Didn’t

“In the 1990s, David Gelernter predicted that the internet would be a perfect environment for thinking, both serene and lively. “My idea in Mirror Worlds was that the computer screen should be like the still surface of a moving pond,” he explained. That didn’t happen. The internet gives us the news and assists our research, but it is mostly used for low purposes, a glorified fidget spinner, trolling device, and masturbation aid.”