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At What Point Does Sacred Music Become Too Sensuous? Christianity Is Not The Only Religion To Struggle With The Question

Arguments about whether and when music in church was uplifting or distracting go back to at least St. Augustine and St. Jerome – but, as Alexander Lee finds out, various Jewish, Muslim, and Buddhist sages and authorities have hashed out similar disputes and come up with widely varying answers. (Do we take it Hindus and Confucians saw no such dilemmas?)

How Tim Page Became Friends With Glenn Gould

“I flew to Toronto, and stayed for two days at the now-demolished Inn on the Park, on whose premises Gould kept a studio. He proffered a gentle, squeamish handshake when we met, and rarely looked at me thereafter; still, when we weren’t recording, we spent most of our time in hearty and contented laughter. That understanding, you see. Six weeks later, at the age of 50, Gould died from a stroke.”

Fears That ’13 Reasons Why’ Could Lead To Spike In Teen Suicide May Have Been Well-Founded: Study

“Google queries about suicide rose by almost 20 percent in 19 days after the show came out, representing between 900,000 and 1.5 million more searches than usual regarding the subject.’ And yes, there is typically a correlation between searches and attempts; also, “searches for precise suicide methods increased after the series’ release.”

Study: People Who Participate In The Arts Are More Likely To Participate In Their Communities

The findings suggest “the arts provide an important vehicle for facilitating a cohesive and sustainable society,” psychologists Julie Van de Vyver of the University of Lincoln and Dominic Abrams of the University of Kent write in the journal Social Psychological and Personality Science. “Fostering a society in which engagement in the arts is encouraged and accessible to all may provide an important counter to economic, cultural, and political fracture and division.”

Artificial Intelligence Program Made Paintings People Liked Better Than The Ones At Art Basel

Researchers at Rutgers University’s Art and Artificial Intelligence Laboratory not only created the software, “[they] showed the generated artworks to a pool of 18 people to judge, mixed with 50 images of real paintings – half by famous Abstract Expressionists and half shown at Art Basel 2016.” Not only did the panel prefer the AI paintings, they thought that many of the Art Basel works had been created by the computer. (As Claire Voon puts it, “zombie formalism is real.”)