“By day Dr. Bernard was an English professor at Long Island University, a job he took in 1959 and held for more than 40 years. By night he was a central figure in the experimental theater movement that began bubbling up in the small performance spaces of Midtown and Downtown Manhattan in the 1960s. His works were a favorite of John Vaccaro, the director behind the Playhouse of the Ridiculous, whose assaultive, anarchic productions were part of the stew that gave rise to punk, queer theater and more.” – The New York Times
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Two Actors Pursue Berkeley Rep And Their Union For Violating Contracts On Last Day Before COVID Shutdown
On the day in March when the Bay Area got lockdown orders, Berkeley Repertory Theatre called the cast of Jocelyn Bioh’s School Girls; Or, The African Mean Girls Play, which was still in rehearsal, to come in on their day off. When the actors arrived, they were told to get into costume and perform the play for video cameras before the company closed for the duration; Berkeley Rep then sold tickets to stream that video in lieu of the cancelled performances. Now two members of the School Girls cast argue that that day constituted a series of contract violations, and they’re pursuing action against both Berkeley Rep for doing what it did and Actors’ Equity for permitting it. – San Francisco Chronicle
COVID Has Squashed In-Person Teaching. Some Performing Arts Students Question Whether It’s Still Worth It
“With the virus still on a rampage, many of the age-old, hands-on ways of training musicians, dancers and actors have had to be tossed out the window or, at the very least, drastically reshaped. How much this will affect the industry down the line — and what audiences may see and hear in years to come — is difficult to gauge. But to varying degrees, depending on the art form, professional groups and future performances rely on a pipeline of well-trained graduates of higher education. Which means there’s a lot of tension surrounding music, dance and theater programs.” – The Washington Post
Singers Can Reduce COVID Danger By Singing More Softly, Says Study (But There’s A Big Caveat)
Researchers at the University of Bristol used 25 professional singers of various genres as subjects, having them speak and sing at various levels, and found that singing at a conversational level produces only slightly more aerosols than speaking normally does — more volume of sound equals more volume of potentially virus-carrying droplets on the breath, basically. The caveat? The researchers are chemists, not virologists, and the study has not yet been peer-reviewed. – BBC
MGM Remakes One Of Its Divisions As Studio Run By And For BIPOC Moviemakers
As one of the authors of UCLA’s annual Hollywood Diversity Report put it, “There are almost no people of color in the film industry who have the power to say, ‘This movie is getting made and by this person.” Now MGM is taking a concrete step to address that: it’s turning its Orion Pictures division over to 36-year-old Alana Mayo (“a person who is a woman and Black and queer,” as she puts it) to produce films by, and about, underrepresented people and groups. – The New York Times
New Guide To Shooting COVID-Safe Sex Scenes Says To Go Back To Hays Code
Directors UK (the Brit equivalent of the Directors Guild) has published Intimacy in the Time of COVID-19, a new set of guidelines for the planning, staging and recording of sex scenes, starts with suggesting that “the director, writer and producer review the scenes together and decide if the intimate act needs to be shown.” And yes, the guide explicitly suggests looking to the Hays Code as a model. – Variety
How Miami City Ballet Pivoted
So far, donors have been generous. Nearly 87 percent of those who bought tables for the canceled gala donated the sums to the company. Before scrapping their plans, the company had budgeted to spend $23.5 million this season. That’s been slashed to $11.5 million, largely by canceling in-person performances, postponing a $3 million production of Alexei Ratmansky’s “Swan Lake,” furloughing half the staff and reducing dancer contracts from 40 weeks to 27 weeks. The company’s $1.9 million federal Paycheck Protection Program loan ran out in June. – Palm Beach Daily News
Behind The Scenes Fights About Race On CBS Show Lead To Writers’ Departures
Now that work is underway for the second season of “All Rise,” which stars Simone Missick as an idealistic Los Angeles judge, five writers from the original staff of seven are gone. Among those who quit were the program’s three highest-ranking writers of color. – The New York Times
How NPR Is Captive To Its Core Audience
How does framing stories for this audience shape how public radio stations tell stories? At every stage of story production—from the reporter’s “pitch” to their editor, through the process of reporting, editing, and airing—powerful figures within the newsroom invoke “the audience” and effectively restrict stories that challenge prevailing notions of racial progress. – American Prospect
Why A California Motorist’s “NULL” License Plate Set Him Up For $1000s In Tickets
That setup also has a brutal punch line—one that left Joseph Tartaro at one point facing $12,049 of traffic fines wrongly sent his way. He’s still not sure if he’ll be able to renew his auto registration this year without paying someone else’s tickets. And thanks to the Kafkaesque loop he’s caught in, it’s not clear if the citations will ever stop coming. – Wired