With the help of software typically used by professors to nab cheating students, two writers have discovered an unpublished manuscript they believe the Bard of Avon consulted to write “King Lear,” “Macbeth,” “Richard III,” “Henry V” and seven other plays.
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Are The Border Wall Prototypes Art?
I ask Michael Diers if it’s appropriate to hail the aesthetics of the border prototypes, given their xenophobic political purpose. “It’s always about aesthetics,” he says. “We live in a media world, and you have to present yourself. In 1920s Germany, everybody wore black suits with white shirts because it looked good in black and white photography. Here, the politicians wear red ties and blue suits because they look like the flag — it’s the allegory of the Stars and Stripes. Aesthetics is politics.”
Here’s How We Reinforce A Culture Of Mediocrity
In a recent book, The Hard Thing About Hard Things, the tech investor Ben Horowitz adds a twist: “The Law of Crappy People”. As soon as someone on a given rung at a company gets as good as the worst person the next rung up, he or she may expect a promotion. Yet, if it’s granted, the firm’s talent levels will gradually slide downhill. No one person need be peculiarly crappy for this to occur; bureaucracies just tend to be crappier than the sum of their parts.
Why Paper Jams Keep Happening, No Matter How Far Technology Progresses
“According to The Wall Street Journal, printers are among the most in-demand objects in ‘rage rooms,’ where people pay to smash things with sledgehammers; Battle Sports, a rage-room facility in Toronto, goes through fifteen a week. … Unsurprisingly, the engineers who specialize in paper jams see them differently. Engineers tend to work in narrow subspecialties, but solving a jam requires knowledge of physics, chemistry, mechanical engineering, computer programming, and interface design.”
What Happens When You Take People’s Smartphones Away At Concerts
The effects are immediate: At first, people seem agitated and unsure of what to do with their hands. But then they adjust. “In line at the concession stand, you’ll overhear people talking about the artist and the show, and then about the fact that they’re having this conversation because they don’t have phones. You’ll see people fully engaged with each other talking, and the feel of it is radically different.”
Learning To Give Up, And Give Up On, Woody Allen
“Renouncing Woody Allen is painful for many of us, not just because we enjoy his work, but because it feels like renouncing a part of ourselves. It also feels cheap, because there’s no point in renouncing him if we can’t also renounce the part of us that finds his characters relatable. We need to take a closer look at the films that taught us to be this way, and to consider what else they taught us.”
Alex Ross Weighs In On The Just-Announced New Season Of “America’s Leading Orchestra”
Mark Swed, in the LA Times, risks hyperbole when he writes, “No orchestra has ever come close to the ambition of this centennial season.” But it’s hard to think of an immediate counterexample.
Great Works Of Lost Art: Rogier Van Der Weyden’s Justice Cycle
In the first of a series of essays looking at important pieces whose existence we’re certain of but which have disappeared over the centuries, Noah Charney considers Rogier van der Weyden’s The Justice of Trajan and Herkinbald in the Golden Chamber (circa 1435-50).
High School Cancels Musical And Is Bombarded With Threats
Via Facebook, the students received pictures of themselves with swastikas plastered on their faces. One parent had what was thought to be her home address (it wasn’t) posted online with a comment seeming to encourage harassment: “Do your thing social media.” Another parent received a profane email, assailing her for embracing “anti-white racism,” adding: “I feel sorry for your brainwashed child.”
How The Music Of America’s First Black Female Composer Was Rescued From Destruction
Alex Ross looks at Florence Price (1887-1953), whose works are undergoing a modest revival that, Ross argues, ought to be much bigger.
