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Troubled Los Angeles Gallery CB1 To Close After Artists Say They Weren’t Paid

CB1 will close when the current show closes, after claiming they were having cash-flow problems. “Those cash-flow issues are what prompted a group of artists to publish an open letter alleging that CB1 Gallery had ‘consistently failed’ to pay artists according to the terms of its contracts, wrote checks that bounced and repeatedly sold work without informing them.”

The Last Of Istanbul’s Public Scribes

The arzuhalciler, petition writers or public scribes who set up shop in the streets, go back to the early years of the Ottoman Empire, composing and writing legal documents for citizens to submit to courts and government offices. There are still a very few of them left (despite the efforts of Turkey’s legal profession to get rid of them), and reporter Joshua Allen meets two of them.

CBC Is Digitizing, Then Destroying Eight Decades Of Audio/Video Archives

The Canadian Broadcast Museum Foundation says the public broadcaster’s English service earlier this month began destroying acetate transcriptions, as well as audio and video recordings that span eight decades, after converting the master copies into a digital format. The foundation asked the CBC earlier this year for time to find a suitable space to archive and preserve the material, but says it was turned down.

Philip Glass Talks About His Life In Music

When I do concerts I often give talks to students. They get them together, and I talk to them in the afternoon, and we talk about music. Not too long ago one young fellow, he said, “Tell me one thing that I can take away from this talk that I’ll remember and that’s important.” And I said, “No, I’ll give you one word.” He said, “What’s that?” I said, “Independence.”

The Technological Take On Expressing Ourselves

“More and more of us now express our emotions through the devices and software we rely on in our everyday lives. E-mail, text messages, social media, video chat—each platform demands of us different expressions of ourselves. And in the near future, we will have a new range of technologies at our disposal—sensors, monitors, and software with the power to track, nudge, persuade, and coerce. What the clock did to time, technologists hope to do to emotion—regulate and regiment it, measure and monitor it. But taming the temperamental beast that is human emotion might prove a challenge that contemporary technology is unfit to take on.”

Does Literature Matter?

Only in America do we ask our writers to believe they don’t matter as a condition of writing. It is time to end this. Much of my time as a student was spent doubting the importance of my work, doubting the power it had to reach anyone or to do anything of significance. I was already tired of hearing about how the pen was mightier than the sword by the time I was studying writing. Swords, it seemed to me, won all the time.

Was The Orpheus Model Of Flattened Orchestra Hierarchy A Success?

Asked whether the principles of the Orpheus Process had any resonance these days, Stanford business professor Jeffrey Feffer replied in an email, “There are various movements that have tried to ‘democratize’ organizations. They mostly don’t work or don’t last. I am a huge believer in the advantages of the Orpheus approach, but it flies in the face of fundamental human psychology. So, no, although the Orpheus experience at one point got some press and attention, I would not say there is much diffusion, even in the music world where the MTT/SF Symphony model is much more prominent.”

Facebook Wants To Make Its User Data Available To Social Scientists. Should It?

In partnership with the non-profit Social Science Research Council, Facebook’s social-science program will put out a call for university scientists to apply for grants to study the effects of social media on democracies and elections, potentially using proprietary Facebook data. The money will come from various foundations known to give to Democrats, Republicans, and journalists.

‘Albee Would Never Have Allowed This’ – Joe Mantello Talks About Directing ‘Three Tall Women’

“I also think that he was a playwright who was very confident in his interpretation of the play. I once heard him say, ‘No actor or director has ever shown me anything in one of my plays that I didn’t intend to be there.’ I think what he meant by that was not that he had all the answers, but that if you found it, on some unconscious level he meant it to be there. I found that statement – there was something very sad about that statement to me. Because one of things I like most about rehearsal is when somebody brings something to it that I’ve never thought of.”