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By Funding Those That Others Overlook, LAB Grants Are Changing Boston’s Arts Ecosystem

“Allyson Esposito, the director of arts and culture for The Boston Foundation, … says the grant is meant to fund genres and artists who have been chronically ignored by funding institutions in the past. ‘There’s been just this great divide along racial lines and genre specific lines around what has and has not been getting support.'”

Francesco Clemente Talks About The Conditions For Good Art

“I work best on commission. I work best when the situation is the opposite of when someone says ‘Do whatever you want.’ I’m not a fan of that situation. I don’t want. My job is not to want. My job is to be, so it’s a good situation when I can bounce back to other people’s minds, and listen to other people’s thoughts. I love to be proved wrong.”

‘The African Mahler’: British Comedian Pays Tribute To Britain’s First Black Composer

Lenny Henry: “Over the past few months I have been enthralled and captivated by the story of a man from Croydon in south London who died more than 100 years ago and who wrote one of the biggest musical hits of the [early] 20th century. He was a total genius – a bit like Prince, but for late 19th-century London rather than 1980s California – and his name was Samuel Coleridge-Taylor.”

Netflix Is Releasing Its New Movies In Theaters Before Streaming Them — Not That You Could Tell

“For The Ballad of Buster Scruggs, the new film from the Coen brothers and the first title Netflix is distributing this way, the exclusive theatrical release was something of a mirage” — one screen in each of three cities for four barely publicized days. The same thing is going to happen next week for Alfonso Cuarón’s Roma. Film fans are not happy.