With more than 200 Welsh actors having joined 40 of its playwrights in making public complaints about how little actual theatre the company is making and how few Welsh artists are being employed to make it, the chief executive of the Arts Council of Wales — which gives NTW £1.6 million each year — has issued a statement observing pointedly that “to be ‘national’ is a privilege, not a right.”
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London’s Old Vic Theatre Tries Crowdfunding More Women’s Lavatories
The £100,000 public fundraising campaign to double the number of ladies’ loos in the building is fronted by a video featuring actresses Joanna Lumley, Bertie Carvel, and a ferocious-looking Glenda Jackson reading tweets from audience members on the subject.
Savannah Philharmonic’s Music Director Stepping Down
Peter Shannon has been artistic director and conductor of the orchestra for all of its ten years; he departs at the end of this season.
Finalists For Opera America’s Conceptual Director-Designer Showcase
Nearly 40 applicant teams of directors and designers each created a production concept for an opera chosen from a curated repertoire list. Submissions included visions for staging, scenery, props, costumes and required personnel. These are the four team finalists.
The Contemporary Novel Might Not Look Familiar, But It’s Thriving
The familiar world becomes alien within a single lifespan. In such a world of relentless evolution, art is perpetually in danger of being outstripped, every “realism” of describing a vanished reality. Just as capitalism erases difference to make way for a homogenous global anti-culture, artistic traditions are swept aside, denounced as irrelevant almost as soon as they have established themselves. Today, Ezra Pound’s modernist command to Make It New! sounds like nothing so much as a corporate slogan for Apple or Huawei. Capitalism and the avant garde check each other out from across the room, seeing much to admire.
How Pittsburgh Symphony Musicians Are Fighting Food Waste
Musicians began volunteering with 412 in September 2016, when violinist Lorien Benet Hart reached out to the food rescue organization in search of a way for musicians to contribute to the community during a two-month musicians’ labor strike. Since then, she has coordinated with 412 to send different groups of musicians and — starting a few months back — symphony staff members on a run or two a month to help connect good food that would have gone to waste with organizations that put it to better use than filling dumpsters.
The Gilded Age’s Most Famous Architects
“Today, you couldn’t tear down a McKim, Mead & White building. The preservationists wouldn’t let you.” But the firm’s long tenure at the top of the architecture field wasn’t always guaranteed. “They were the Ralph Lauren, the Rolls-Royce of architecture. Then the modern movement started, and boy did they crash. From 1925, when white walls and European modernism began its takeover of architecture, McKim, Mead & White were poison to the profession.”
Gotta Dance (Why?)
This Aeon Original video explores that unifying feeling of group ‘electricity’ that lifts us up when we’re enthralled by our favourite sports teams, participating in religious rituals, entranced by music – and, yes, dancing the night away.
An Argument Against The Concept Of Intellectual Property
The ubiquitous use of ‘intellectual property’ began in the digital era of production, reproduction and distribution of cultural and technical artifacts. As a new political economy appeared, so did a new commercial and legal rhetoric. ‘Intellectual property’, a central term in that new discourse, is a culturally damaging and easily weaponised notion. Its use should be resisted.
The Universe Is Unfathomably Big. And Our Understanding Is So Small…
As we attempt to grapple with this bleak post-human future, we must also confront the question of what humans can hope to understand. Parts of the physical world are understood. They can be observed and described by theories—but much of it cannot. Human observation bumps up against stark limits. Human reasoning is not limitless either, but it does allow us to think through what might in principle be “over the horizon.”
