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Chimamanda Ngozi Adichie Was Asked, ‘Are You An African Writer?’ Here’s Her Answer.

“I have no objection at all to being African, in fact it is all I know how to be and so I cannot possibly be anything else. And so my answer to the question “Are you an African Writer?” was no, and not because I am not proudly African. … I said no because I have increasingly been troubled by the subtle and not-so-subtle constraints that the question implies.” — New Statesman

One Of The Hearts Of The Met Museum’s Ancient Greek Collection Was Arguably Looted En Masse

Writer Thomas O’Dwyer makes the case that The Cesnola Collection — assembled by an impoverished Italian aristocrat who emigrated to the States, fought in the Civil War, got himself appointed consul in Ottoman Cyprus for both the U.S. and the Russian Empire, and then got himself named the Met’s director — is comparable to the Elgin Marbles and was similarly criticized at the time. — 3 Quarks Daily

The Last Of Nashville’s Live Music Row Honkeytonks Closes

Nashville’s Music Row was a wonder. A collection of seedy bars that seemed to have been there forever, it was a smorgasbord of live music, played by musicians who played for tips. You could wander down the street, poking into whatever sounded interesting. It was all informal and kind of ramshackle. The city is booming, and now a tourist mecca, it’s “upgrading”… – The New York Times

Why A Flashy New Concert Hall Might Be Just What London Needs Right Now

In a country grappling with austerity and Brexit, a plan for a 2,000-seat “center for music” seems to hark back to the more confident, stable time in the early 2000s when the Tate Modern opened. Indeed, there have been claims that it could do for the city’s classical music scene what the new Tate did for London’s standing as a center for modern and contemporary art. – CityLab