“[Many theater professors] shake their heads about the aspiring actors who have refused to work on material they find harmful or otherwise objectionable. My colleagues sadly wonder how these students could possibly succeed. How, the argument goes, can we train students to become actors if they wish to insulate themselves from upsetting material? How can we inculcate the emotional resilience necessary for a professional actor if students are so afraid of any negative experiences?” Scott Harman explains why those aren’t the right questions. — HowlRound
Blog
Arts School Tuition Is Too High. So One Seattle College Cuts Tuition By 20 Percent
Cornish officials believe theirs is the first arts school to reset its tuition rates alongside a growing list of small, private, liberal arts schools like the Cleveland Institute of Music, Mills College in California and Avila University in Missouri. – Crosscut
Iran’s Leading Filmmaker Turns His Lens Onto The Wider World
Asghar Farhadi has won two Best Foreign Language Feature Oscars in five years: in 2017 for The Salesman and in 2012 for A Separation, which became the most profitable Iranian film in history. He ventured to Spain to make his latest film, Everybody Knows, starring Penélope Cruz and Javier Bardem, but he continues to live and work in Iran, even as his compatriot filmmakers have been silenced by the authorities or have fled into exile. — The New York Times Magazine
Why We Should Read About Ideas We Don’t Like
First, an idea, while unpleasant, may well be correct or true, in which case we gain insight by being exposed to it. And even if it is only partially true, it can help us reach a more complete understanding of the whole truth. Second, even if the idea is simply wrong, we benefit from hearing it and having to think through why it is wrong. This connects to the third point, which is that even true or useful ideas need to be contested and re-evaluated if they are to remain fresh and avoid calcifying into rigid dogmas. – Quillette
Still Life In San Francisco Officially Authenticated As Van Gogh
Still Life with Fruit and Chestnuts, in the collection of the Fine Arts Museums of San Francisco since 1960, has been de- and re-authenticated more than once; it had been labeled as possibly by Van Gogh and had not been consistently on display. Now the Van Gogh Museum in Amsterdam has determined that the painting is genuine Vincent, dating from 1886. — The Art Newspaper
The World In 2019: Better Or Worse?
So are things getting better or worse? Both, evidently—different things for different people in different places. And which way of answering the question is best: compiling statistics, or conjuring science-fictional utopian/dystopian scenarios, or in-depth reporting on living, suffering individuals? All three. – The Baffler
Charles Dutoit Hired For Substitute Gig At National Orchestra Of France, And Controversy Ensues
The Swiss conductor lost his various positions during the winter of 2017-18, after several women came forward to accuse him of sexual harassment and assault. Now the Orchestre national de France has engaged him for this weekend’s concert performance of Berlioz’s Damnation of Faust after scheduled conductor Emmanuel Krivine withdrew on short notice. It’s Dutoit’s highest-profile performance (outside of Russia) since the scandal broke, and there has been pushback on the decision to hire him. — AP
UK Decriminalizes Pornography Made By Consenting Adults (Only Now?)
The Crown Prosecution Service announced, “We do not propose to bring charges [under the Obscene Publications Act of 1959] based on material that depicts consensual and legal activity between adults, where no serious harm is caused and the likely audience is over the age of 18.” (That law will remain on the books, though.) — The Guardian
Why The Academy Likes ‘Vice’ So Much More Than Critics And Audiences Do
“Vice’s copious failings … are exactly the sorts of things that the Academy reveres. Oscar voters love films that pretend to tackle Serious Issues but in fact exploit them as stages for personality operas and starry performances. Look no further than Green Book.” — Slate
First Digital Archive Of Roma Culture Run By Roma Themselves
“The RomArchive data bank has a collection of 5,000 objects, including photos, texts, videos and sound recordings … Works of art collected for the project include dance, theater, film, music, literature and Flamenco, categories in which Sinti and Roma present their own cultural history to the present day.” — Deutsche Welle
