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Doing Live Opera In Vienna During The Pandemic

To be in live opera right now, soprano Lisette Oropesa gets constant COVID nasal swabs, writes down everyone she’s spent more than 15 minutes with, and wears a mask in the building except when she’s on stage. “Now we are in close quarters, you just have to trust that you’re negative and everyone else around you is negative, and at the time it’s okay to touch and sing close to each other. But it’s still a tiny bit never-wracking.” – The Irish Times

Aching For The Return Of Live Theatre

Mary-Louise Parker isn’t unhappy about her Tony nomination. But it’s poking at some of the profession’s pandemic wounds. “I just want to see a ghost light. I want to hear someone call, ‘Places!’ I want to walk through the stage door. There’s just something about theater — even nights when I feel like I’ve only done a decent job, I feel like I’ve given something in a way I don’t on film or TV. It feels like I’ve exerted all my energy.” – The New York Times

How Henry Ford’s Production Model Shaped Our Politics

https://bostonreview.net/class-inequality-politics/justin-h-vassallo-world-henry-ford-madeHenry Ford would likely find his relevance to the current crisis of globalization a testament to his “producerist” philosophy. But as historian Stefan J. Link writes in his new book, Forging Global Fordism: Nazi Germany, Soviet Russia, and the Contest over the Industrial Order, Ford’s peculiar ideals “projected a political (and moral) economy that hardly anticipated the American consumer modernity that emerged after 1945.” – Boston Review