The fire that damaged the venerable Moscow Conservatory has crippled one of the city’s great cultural institutions. “As aspiring performers and composers took final exams last week, there was no electricity, limited telephone service and a trickle of heat from an emergency system. A week after the Dec. 17 blaze, 16 precious concert grand pianos sat damaged or destroyed. Bundles of canvas hoses still dangled from the stairwells, and the air stank of soot.”
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WTC Glare – Too Much Publicity?
The glare of publicity focused on choosing a building plan for the World Trade Center site is probably greater than on any other project in recent memory. But not all the architects involved are happy about it. “Many have privately expressed reservations about the designs’ details, the handling of the competition and even the spotlight in which the contestants now stand.”
SF Opera – Taking the Bold Road
San Francisco Opera has an almost $8 million deficit. But the company doesn’t seem particularly worried. Rather than sit back and play it safe, Pamela Rosenberg, the company’s general director, has ambitious plans. “We are not going to get through this economic downturn and come out the other end by replacing quality with mediocrity,” Ms. Rosenberg, who has set the company on course to becoming America’s most adventurous opera house, said in a recent telephone interview.”
Peripheral Matters – Art Of Frames
Many artists spend a lot of time agonizing over how their work will be framed. But frames get no respect. “The market in images has no room for frames. Magazines, newspapers, exhibition catalogues and art books act as if they don’t exist, cropping them out of reproductions even when the painters saw them as integral parts of their work.”
A “20 Best” List To Watch For Given Its Track Record
Granta is naming its “20 Best of Young British Novelists,” an exercise it indulges in every ten years. So what’s the Grant track record? “When you look at the names on the original 1983 and follow-up 1993 lists, the hit-rate was impressive: Amis, Barker, Barnes, Boyd, McEwan, Rushdie, Swift, Tremain on the former; Banks, de Bernières, AL Kennedy, Kureishi, Phillips, Self and Winterson on the latter; with Ishiguro and Mars-Jones, by virtue of their early-flowering promise, on both.”
V&A Attendance Up 111% In 2002 – Free Admission Has UK Museum Visits Soaring
In the first year since admission charges at major British museums were dropped, attendance has soared. “The most dramatic increase has been at the V&A, which has seen a 111% increase, helped by the opening of its beautiful £31m British galleries. The effect at the other museums in South Kensington, west London, where a family visit would have cost around £30 in charging days, has been almost as spectacular. Numbers at the Science Museum and Natural History Museum have gone up 100% and 83% respectively.”
Shock Of The Old
What’s the next big thing in British art? “Prepare yourself to be truly shocked. For the next big thing in modern British art is the New Gentleness. And it involves lots of that supposedly endangered species, the painter. Massed watercolourists are not about to storm Tate Britain and ransack the Turner prize show, but something is stirring, though no one dares to use the word movement.”
Homeless Choir Packs It In After 1000 Performances
A homeless choir formed in Montreal in a men’s shelter in 1996 to sing Christmas carols for spare change in the city’s subway, has finally disbanded, a thousand performances later. “The group achieved international recognition, including an invitation to sing at Paris’s busiest subway stations in 1998. The choir also released two CDs, was the subject of a book and a TV program and performed at the Just for Laughs comedy festival as a free street act.” Why quit? Many of the singers found jobs and their lives became more stable.
Speak This – Controversy of the Spoken Word
“So what if Vancouver has become one of the hottest venues on the North American spoken-word circuit? Is there any correlation between the groundswell of so-called ‘street poetry’ in Vancouver and the West Coast’s domination of all those august literary prizes?” Perhaps… but perhaps not. Even those who practice the art can’t agree. Some of them don’t even like one another. And they don’t like the publicity. Or even necessarily the artform. “To treat poetry as performance is crude and extremely revolting.”
The Problems With Museums
Christine Temin believes American museums need help. “Museums in this country desperately need not just financial help but help in defining their mission, their audience, their ethics. Over the past couple of decades they’ve made considerable noise about trading elitism for accessibility, and that’s certainly backed up by, among other things, a steep increase in education programs, some more effective than others. But $20 tickets to special exhibitions and $15 general admission – the current fees at the Museum of Fine Arts in Boston – don’t exactly make the museum more accessible.”