Blog

Is The Optimization Culture Killing Us?

As employees in a hyperproductive, work-obsessed world, we’ve become acutely aware of any opportunity for optimization. Attempts by companies like Google or Freshly to create services that save you time misfire, as millennials see them not as services that will give them more time to relax, but as services that will increase the amount of time they’re available to work. – Medium

The Murky World Of Literary Plagiarism

With new accusations of plagiarism for novelist AJ Flinn and Danny Boyle’s film Yesterday, it’s time to revisit what can – and cannot – be proven in literary theft. True, “it has long been claimed that there are somewhere between three and 36 basic plots in all forms of storytelling,” but that can’t account for specific details. Still … “legal action is very tricky in cases which don’t concern actual language copying but rely on copying of themes, plots or structure.” – The Guardian (UK)

The Real Pianist Behind The Movie ‘Green Book’

The filmmakers didn’t line up Don Shirley’s original music with Mahershala Ali’s fingers; instead, they got a Julliard-trained pianist to play it. Kris Bowers “had never heard of Don Shirley. Bowers immersed himself in Shirley’s recordings. That made him nervous. ‘I was pretty scared actually once I listened to it because of how intricate it was, how difficult it was,’ Bowers says.” But he transcribed all of the music and then listened to it repeatedly, practicing for up to nine hours a day for the part. – NPR

The Worst Best Picture Winner Since ‘Crash,’ But Maybe Worse Than That One

Justin Chang of the LA Times: “Peter Farrelly’s interracial buddy dramedy is insultingly glib and hucksterish, a self-satisfied crock masquerading as an olive branch. It reduces the long, barbaric and ongoing history of American racism to a problem, a formula, a dramatic equation that can be balanced and solved. Green Book is an embarrassment; the film industry’s unquestioning embrace of it is another.” – Los Angeles Times

The Somatic Genius Necessary To Dance With Hundreds Of Hula Hoops At The Same Time

Yes, one woman can hula with up to 200 (200?!) different hoops. And that’s not easy: “A quick primer on the physics of this stuff: For a Hula-Hoop to continue spinning, one must apply force to the hoop in both the fore-aft and up-down directions. ‘The Hula-Hoop stays aloft thanks to conservation of angular momentum, but the system is extremely unstable—one little hiccup, and the hoop comes tumbling down.'” – Wired

Los Angeles Before It Was ‘West’

Carolina Miranda: “Before California was West, it was North and it was East: the uppermost periphery of the Mexican Empire, and the arrival point for Chinese immigrants making the perilous journey from Guangdong. It was part of different maps that co-exist, one on top of the other: layers of visions and lesser-known narratives, that are ongoing and still unfolding.” – Guernica

Back In The Day, Hollywood’s Highest Paid Director Was A Woman

In early days of the movies, some people thought that women had a special relationship with cinema. There were jobs – and not just as actors or script girls. “Women wrote at least half of all silent films, while narrative film—film that tells a made-up story—is arguably the invention of Alice Guy-Blaché, … [who] made La Fée aux Choux (The Fairy of the Cabbages) in 1896. There are actors, costumes, props, sets and a whimsical story; in the surviving clip, newborn babies emerge from giant heads of cabbage with the help of a fairy-midwife. The birth metaphor seems deliberate; the first narrative film may also be the first film about film.”  – LitHub