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Making Contemporary Classical An Optional Side Dish

Under its new music director, the Toronto Symphony Orchestra is about to abandon, at least temporarily, one of the more persistent beliefs guiding orchestral programming: that audiences will embrace contemporary music if only they are taught to understand it. “After this week’s concerts, during which the orchestra will play a short new piece by Canadian composer Matthew Whittall, the old and the new will be kept well apart from each other.”

CRIA Gets A New President

After two years of searching, the Canadian Recording Industry Association has found its new president. “Graham Henderson, an entertainment-industry lawyer, who was managing Universal Music Canada’s digital-music business and helped to launch the on-line music service Puretracks, will assume the top job at CRIA on Nov. 15.”

Is Australia About To Join America’s Arts Reality?

“There have been an unprecedented number of inquiries in the past eight years into aspects of the arts [in Australia] – inquiries that have produced tangible financial benefits. Yet what’s lacking has been any bigger picture or debate from either side of politics about the role of art in contemporary culture… There has been little public debate on the broader question of whom performing arts companies should answer to in an environment of shrinking public funding and increasing need for sponsorship dollars.”

Why Can’t Politicians Pick Good Art?

Scotland has a new Parliament building, and amidst all the talk of cost overruns and such, some brave sould have dared to broach the subject of how the place ought to be decorated. An MP named Stone was placed in charge of “a committee to acquire art for the new building, and the results are now on view. It is not much. James Stone’s committee did ask the main committee… for £3 million. They were given a derisory £250,000 to spend. This mean-spirited decision was both a failure of courage and of imagination.”