Blog

Why Musicals Rule

With its expense and risk, why has the American musical not only survived but dominated the commercial theatre? “By changing, the musical has remained a truly popular form because it has shown itself capable of speaking to new generations. They grow up on Gene Kelly, but end up loving Velma and Roxie.”

Looking For Pure Mr. B

“Dance is most clearly preserved in the living bodies of dancers, not in books or on films or videotapes. Even before Balanchine’s death in 1983, there was apprehension about preserving his works. Twenty-one years later, some critics swear that they are still performed as he would have liked; others find fault on a regular basis, saying that the New York City Ballet, the logical caretaker of his legacy, has not lived up to its responsibility, and look to other artistic directors and companies to preserve the work. Pacific Northwest Ballet co-director Francia Russell is one often looked to in this regard.”

Students Oppose Copyright Abuse (From The Other Side)

Students at several American colleges are organizing to oppose expansion of copyright laws. “They are forming Free Culture groups on campuses to explain copyright law to fellow students. Stressing its importance for culture and society, the group says copyright law is being abused. To illustrate their point, the groups hold remixing contests, promote open-source software and rally against legislation like the Induce Act, which would hold technology companies liable for encouraging people to infringe copyrights.”

Famed Fenice To Reopen This weekend

Eight years after fire gutted Venice’s famed La Fenice, the opera house is set to reopen this weekend. “The latest restoration, some critics have carped, has certainly achieved authenticity, but without easing such discomfort. Still, La Fenice’s place in the great opera houses of the world is assured, no matter how cramped some of the seating may be.”